Memoirs of the Princesse de Ligne, Vol. 1 (of 2)Massalska, Apolonia Helena
History
Memoirs of the Princesse de Ligne, Vol. 1 (of 2)
Massalska, Apolonia Helena
Ligne, Charles Joseph, prince de, 1735-1814; Massalska, Apolonia Helena, 1763-1815
“Then he inquired whether she had ever seen these works in the house.
She replied that for some years past they had been so questioned about
this Jansenius that, even if they had not possessed his works, they
would have tried to procure them, as it is against all conscience to
speak evil of a person unless you are certain that he deserves it; and
that it could only be the obligation under which they were to answer
questions which made them read works so far from entertaining as those
of Jansenius. After this the Archbishop left. Two days later he sent
his curates, who had all the theological books returned to the library,
locked up the shelves, and sealed them with the Archbishop’s seal,
which the ladies were forbidden to remove. The ladies then said that
in the interior of their establishment they recognised no authority
but that of the Abbot of Cîteaux or Clairvaux, their superior. They
wrote to him on the subject; he immediately sent two visitors of the
order, who complained to his Grace the Archbishop, telling him that
his authority could only be exercised with regard to the steps the
nuns might take outside their Convent, but that the interior was under
the sole jurisdiction of Cîteaux or Clairvaux.[80] As his Grace the
Archbishop was afraid the affair might be brought before Parliament,
he sent to remove the seals; then the visitors assembled the Chapter.
I do not know what took place; I only know that when they separated
they left the Abbey as well pleased with the nuns as the nuns were with
them. Shortly after the Abbot of Clairvaux sent an immense quantity of
Burgundy wine as a present to the Convent.
“We resolved at that time to give a performance in honour of Madame
de Rochechouart, on her fête or Saint’s Day, which was the 15th of
August, Mary being her name. We wanted to get it up with more care than
usual, so that it might be a success. So we acted _Esther_. I took that
part. Mademoiselle de Choiseul was Mordecai, Mademoiselle de Châtillon
Ahasuerus, and Mademoiselle de Chauvigny was Haman. Our costumes
were copied from those of the _Comédie Française_. I had a white and
silver dress, the skirt of which was fastened with diamonds from top
to bottom; I had on more than one hundred thousand écus’[81] worth of
diamonds, having all those of Mesdames de Mortemart, de Gramont, and
of Madame la Duchesse de Choiseul. It was the Vicomtesse de Laval who
dressed me. I had a mantle of pale blue velvet and a gold crown. All
the pupils in the chorus had white muslin dresses and veils. Before
the play, still wearing the simple costume of the Convent, I advanced
and pronounced the following words:--
“Nous sommes en un lieu par la grâce habité,
Où l’on vit dans la paix et la tranquillité.
L’innocence, qui fut leur compagne éternelle
S’y plaît et n’eut jamais d’asile plus fidèle.
“À MADAME DE ROCHECHOUART.
Public-domain text, read in full here on John Shaqi.
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