Memoirs of William WordsworthPhillips, George S. (George Searle)
General
Memoirs of William Wordsworth
Phillips, George S. (George Searle)
Poets, English -- 19th century -- Biography; Wordsworth, William, 1770-1850
Such, then, is a slight sketch of the characteristics of the age into
which Wordsworth was born. He came in time to catch the full surges of
its influence, and his spirit was one of the few destined to aid the
onward tide of events, and mould their flowing forms into a fixed and
plastic beauty. Not, however, by any active mingling with the affairs of
men, for this was clearly no part of his vocation, but by silent
watching and contemplative thought, and the faithful exercise of his
poetic faculties. The political arena was open to more daring, and less
costly men, who could do their temporary work and disappear without
farther loss to the nation: but the poet had a greater and more enduring
work to accomplish; he was to become the architect of a new literature
and the singer of a new gospel of life to the world. The growing
earnestness of his age demanded a voice to speak for it--many voices,
indeed, each in its proper province of feeling and of thought. And in no
province was this voice more loudly called for than in that of poetry,
for death reigned in all the courts of the poetic temple, and every
priest was a corpse which the muse had stuck about with flowers, that
she might conceal even from herself the sorrowful fact of her desertion
and utter misery.[A] Wordsworth came to tear away the mask, and spurn
the dead from her temple.
The great object of Wordsworth’s life was to win men back, by his poetic
example, to an admiration and love of the natural in all its aspects. To
him nature is not only divine and glorious as a whole, but equally so in
all her parts. In the meanest worm that crawls, in the tinyest flower
and the rankest weed; in the summer foliage, and in the brown skeleton
leaves of autumn; in the lonely mountain, and the silent stream--he
recognizes the spirit of beauty, and she passes through _his_ spirit
into song, and becomes at once a poem, and a grand moral gospel. All
things in heaven and earth are consecrated existences to him, no matter
how profanely and lowly they may rank with common observers.
Public-domain text, read in full here on John Shaqi.
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