In these conventual _Scriptoria_ were copied the writings of the fathers and the abstruse works of the first schoolmen; here also were copied little works of genius, sometimes the effusion of fancy and imagination. The fables of Æsop were so much in repute, that we are told king Alfred himself made a translation of them from the Greek. The fanciful devices on the friezes and mouldings of some of our ecclesiastical structures, which have an allusion to Æsop’s Fables, had their first origin amongst pious and ingenious persons, in the peaceful retirement of their conventual retreats. This remark is much confirmed by a curious observation which has been lately made, that even many of the fables themselves that now pass for Æsop’s, seem to have had their real invention and origin in the abodes of the religious. In a very curious memoir concerning the works of Mary, an Anglo-Norman poetess, born in France, who wrote in the French language in the reign of king Henry the third of England, and who among other things translated the fables of Æsop, it is made to appear that there were indeed but few of Æsop’s original fables in her collection, and even those she had borrowed entirely from England, and the greater part, from several allusions in them, evidently shew, that they must have been composed in monasteries, before her time. (_See Hume’s Hist. of Eng. vol. 1. 4to. p. 68.—King’s Munimenta Ant. vol. 4. p. 113.—and Archæologia, vol. 13. p. 36-67._) It is an interesting circumstance, deserving to be mentioned on this occasion, that before the time of Venerable Bede, there lived an Anglo-Saxon poet, of the name of _Cædman_, or _Kedman_, of the wondrous powers of whose mind Bede speaks in the highest terms, (_Bede’s Eccles. Hist. book 4. ch. 24._) and says he sung of the creation of the world, of the origin of mankind, and of the whole history of the book of Genesis. He died about the year 680, and therefore must have been contemporary with Etheldreda, who founded the monastery of Ely. And it is a very curious fact, little known, that Lye, the author of the Anglo-Saxon Dictionary, translated this poem, and that therein it was found had been introduced, almost exactly, the same idea of the fallen angels, and even the peculiarity of the nine days falling, and of Satan’s assembling his _Thanes_, on their rousing themselves, which was afterwards introduced by Milton into his Paradise Lost. This account, Mr. King says, he received from Dr. Percy, bishop of Dromore, who had several manuscripts of Lye’s bequeathed to him; and who was well qualified to investigate such curious matters of ancient literature.