1. The paper on "Murder as one of the Fine Arts" [Footnote: Published in the "Miscellaneous Essays."] seemed to exact from me some account of Williams, the dreadful London murderer of the last generation; not only because the amateurs had so much insisted on his merit as the supreme of artists for grandeur of design and breadth of style; and because, apart from this momentary connection with my paper, the man himself merited a record for his matchless audacity, combined with so much of snaky subtlety, and even insinuating amiableness, in his demeanor; but also because, apart from the man himself, the works of the man (those two of them especially which so profoundly impressed the nation in 1812) were in themselves, for dramatic effect, the most impressive on record. Southey pronounced their preeminence when he said to me that they ranked amongst the few domestic events which, by the depth and the expansion of horror attending them, had risen to the dignity of a _national_ interest. I may add that this interest benefited also by the mystery which invested the murders; mystery as to various points but especially as respected one important question, Had the murderer any accomplice? [Footnote: Upon a large overbalance of probabilities, it was, however, definitively agreed amongst amateurs that Williams must have been alone in these atrocities. Meantime, amongst the colorable presumptions on the other side was this:--Some hours after the last murder, a man was apprehended at Barnet (the first stage from London on a principal north road), encumbered with a quantity of plate. How he came by it, or whither he was going, he steadfastly refused to say. In the daily journals, which he was allowed to see, he read with eagerness the police examinations of Williams; and on the same day which announced the catastrophe of Williams, he also committed suicide in his cell.] There was, therefore, reason enough, both in the man's hellish character, and in the mystery which surrounded him, for a Postscript [Footnote: Published in the "Note Book."] to the original paper; since, in a lapse of forty-two years, both the man and his deeds had faded away from the knowledge of the present generation; but still I am sensible that my record is far too diffuse. Feeling this at the very time of writing, I was yet unable to correct it; so little self-control was I able to exercise under the afflicting agitations and the unconquerable impatience of my nervous malady.