correspondences of their parts; and usually by artists her face was said to be Grecian. Perhaps the nostrils, mouth, and forehead, might be so; but nothing could be less Grecian, or more eccentric in form and position, than the eyes. They were placed obliquely, in a way that I do not remember to have seen repeated in any other face whatever. Large they were, and particularly long, tending to an almond-shape; equally strange, in fact, as to color, shape, and position: but the remarkable position of these eyes would have absorbed your gaze to the obliteration of all other features or peculiarities in the face, were it not for one other even more remarkable distinction affecting her complexion: this lay in a suffusion that mantled upon her cheeks, of a color amounting almost to carmine. Perhaps it might be no more than what Pindar meant by the _porphyreon phos erotos_, which Gray has falsely [Footnote: Falsely, because poxphuxeos rarely, perhaps, means in the Greek use what we mean properly by _purple_, and _could_ not mean it in the Pindaric passage; much oftener it denotes some shade of _crimson_, or else of _puniceus_, or blood-red. Gibbon was never more mistaken than when he argued that all the endless disputing about the _purpureus_ of the ancients might have been evaded by attending to its Greek designation, namely, _porphyry_-colored: since, said he, porphyry is always of the same color. Not at all. Porphyry, I have heard, runs through as large a gamut of hues as marble; but, if this should be an exaggeration, at all events porphyry is far from being so monochromatic as Gibbon's argument would presume. The truth is, colors were as loosely and latitudinarially distinguished by the Greeks and Romans as degrees of affinity and consanguinity are everywhere. _My son-in-law_, says a woman, and she means _my stepson._ _My cousin_, she says, and she means any mode of relationship in the wide, wide world. _Nos neveux_, says a French writer, and means not _our nephews_, but _our grandchildren_, or more generally _our descendants_.] translated as "the bloom of young desire, and PURPLE light of love." It was not unpleasing, and gave a lustre to the eyes, but it added to the eccentricity of the face; and by all strangers it was presumed to be an artificial color, resulting from some mode of applying a preparation more brilliant than rouge. But to us children, so constantly admitted to her toilet, it was well known to be entirely natural. Generally speaking, it is not likely to assist the effect of a young woman's charms, that she presents any such variety in her style of countenance as could naturally be called _odd_. But Miss Watson, by the somewhat scenical effect resulting from the harmony between her fine figure and her fine countenance, triumphed over all that might else have been thought a blemish; and when she was presented at court on occasion of her marriage, the king himself pronounced her, to friends of Mrs.