One wing of the chateau was magnificently furnished. This, which of itself was tolerably extensive, had been resigned to the use of Paulina, Maximilian, and others of the military gentlemen, whose manners and deportment seemed to entitle them to superior attentions. Here, amongst many marks of refinement and intellectual culture, there was a library and a gallery of portraits. In the library some of the officers had detected sufficient evidences of the Swedish alliances clandestinely maintained by the Landgrave; numbers of rare books, bearing the arms of different imperial cities, which, in the several campaigns of Gustavus, had been appropriated as they fell in his hands, by way of fair reprisals for the robbery of the whole Palatine library at Heidelberg, had been since transferred (as it thus appeared) to the Landgrave, by purchase or as presents; and on either footing argued a correspondence with the emperor's enemies, which hitherto he had strenuously disavowed. The picture-gallery, it was very probable, had been collected in the same manner. It contained little else than portraits, but these were truly admirable and interesting, being all recent works from the pencil of Vandyke, and composing a series of heads and features the most remarkable for station in the one sex, or for beauty in the other, which that age presented. Amongst them were nearly all the imperial leaders of distinction, and many of the Swedish. Maximilian and his brother officers took the liveliest pleasure in perambulating this gallery with Paulina, and reviewing with her these fine historical memorials. Out of their joint recollections, or the facts of their personal experience, they were able to supply any defective links in that commentary which her own knowledge of the imperial court would have enabled her in so many instances to furnish upon this martial register of the age. The wars of the Netherlands had transplanted to Germany that stock upon which the camps of the Thirty Years' War were originally raised. Accordingly, a smaller gallery, at right angles with the great one, presented a series of portraits from the old Spanish leaders and Walloon partisans. From Egmont and Horn, the Duke of Alva and Parma, down to Spinola, the last of that distinguished school of soldiers, no man of eminence was omitted. Even the worthless and insolent Earl of Leicester, with his gallant nephew,--that _ultimus Romanorum_ in the rolls of chivalry,--were not excluded, though it was pretty evident that a Catholic zeal had presided in forming the collection. For, together with the Prince of Orange, and _Henri Quatre_, were to be seen their vile assassins--portrayed with a lavish ostentation of ornament, and enshrined in a frame so gorgeous as raised them in some degree to the rank of consecrated martyrs.