The frequency with which one comes across the royal cipher E. R. and
the many corroborative arms and date panels, both in Cheshire and
elsewhere, bring to mind the marvellous outburst of energy and activity
that marked her times in all departments of life, one of whose outlets
was in the building operations of the period, and especially in the
domestic direction, some of the evidences of which we are now concerned
with. England, as has been truly said, is awake after the slumber of
the Middle Ages, and for a brief period the national life blazes with
unprecedented brilliance and splendour.
Adherence to the traditional manner of timber building in Cheshire
would be accounted for and be encouraged by the abundant supplies of
the requisite raw material still available; for this and the adjoining
counties of Shropshire and Lancashire, where this type of building also
flourished, were at a safe distance from the iron-smelting works and
ship-building yards which made such inroads on the woods and forests in
other parts of the kingdom.
In the attractive appearance of those Elizabethan erections, that
Baconian dictum (certainly challengeable, at all events, from an
architect’s standpoint), “houses are built to live in and not to look
on,” found plenty of contemporary refutation in the picturesque and
delightful halls of this county.
As in the Edwardian Baggily Hall, so in its Elizabethan successors
the “great hall” continued to be the chief feature, the principal
pivot, so to say, of the general plan. But, whereas in the earlier
examples it was invariably open right up to the roof, it gradually
began to be divided into two storeys by the interposition of a floor.
One consequence of this change was the disappearance of the minstrels’
gallery and the dais. The cause of the decline in importance of the
great hall may partly have been the introduction of Italian ideas, but
was mainly due to the alteration in the habits of life. The progress
of civilisation brought with it the multiplication of apartments,
and hence the space once entirely occupied by the lofty hall could no
longer be afforded.
[Illustration: BRAMALL: THE PORCH E´. END.]
[Illustration: BRAMALL: A CORNER OF THE SOUTH WING.]
Public-domain text, read in full here on John Shaqi.
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