It is at such places as Moreton Hall, with its fine ballroom, to quote some reflections which resulted from an architect’s--the late Mr. H. Taylor, of Manchester--study of this old house, we see the provisions made in the past for enjoying life in the country. In this old house the disturbed state of former times is brought vividly to our minds if we have sufficiently narrow shoulders to creep through the sliding panel into the apartment which was a harbour of refuge for those whose life was in danger. When hotly pursued, the fugitive escaped down a sort of well and through an underground passage. At Moreton Hall, built when Italian ideas were creeping into the country, it is instructive to notice how the architect was apparently puzzled by the conflicting principles of our humble and beautiful Gothic and of the more pretentious Italian style, _e.g._ the ballroom, which is on the third storey, has an open-timbered, pointed roof, with a thrust upon the walls. This thrust he evidently thought it not proper to counteract by buttresses as his brethren a hundred years before would have done, and from this cause the stability of the building has for some time been threatened. The inhabitants at Moreton, we cannot but feel, must have been put to sore inconvenience many a time, inasmuch as no one had then invented corridors, and so there are four or five staircases. This arrangement must have been very disagreeable on a wet night, as the bedrooms could only be reached from different sides of the building by crossing the courtyard with or without candles or lanterns. Much as one is tempted to linger at Moreton, there is that other member of the famous triad of half-timbered treasures on this side of the shire awaiting consideration--Adlington. This is the home of one of Cheshire’s oldest families, in whose possession it has remained for many centuries. Of considerable exterior interest and entered by an admirably-proportioned, two-storeyed porch, it is, however, the interior of the great hall that constitutes its chief glory. A very noticeable feature is the cove-shaped panelling that runs right across one end and contains a large number of shields of arms of the various families connected with the house of Legh. The roof is of remarkably fine character with principals of hammer-beam design, and is a most effective and decorative piece of richly-moulded carpentry and carved work; the whole having an obviously Gothic character.