In fact, so persistent altogether was the tradition, and so hard to kill, that even in Dr. Hutchinson’s debased structure, which took the place of the demolished All Hallows’, the new chancel was not left unwarded, but was screened by iron grates. These, though exhibiting in their design the style of the period, yet reproduced, strange to say, quite a mediæval scheme of arrangement. A grate divided the chancel from the nave, and was continued northward and southward right across the building from wall to wall. And other grates again separated the chancel from the chancel aisles. These grates, though not altogether undisturbed, for the most part remained in position until 1873, when the interior of the building, then barely a century and a half old, was “restored,” and in the process the chancel grille itself, together with other fittings hitherto spared, was taken down. Numerous details of it are figured in the _Chronicles of All Saints’_, issued under the joint authorship of the Rev. Dr. Cox and Mr. W. H. St. John Hope in 1881, to which volume all who may be interested in a genuinely historic specimen of eighteenth century wrought ironwork are hereby referred. There is one peculiar variety of mediæval screen arrangement which may be said to belong to a class by itself. It is sufficiently uncommon, being confined almost exclusively to domestic chapels, of which the former infirmary chapel of Dale Abbey, and such that now serves the purpose of parish church of Dale, furnishes an interesting example. A sketch of the interior, in 1870 or thereabouts, is given on plate xvii. of the late Rev. Samuel Fox’s _History of St. Matthew’s, Morley_ (1872).