Devon (England) -- Antiquities; Devon (England) -- History
Cruel to the peculiarities of others, he was most sensitive himself to
criticism, and hungry for praise, as he admits in an appeal to his
reviewers:—
I am no cormorant for fame, d’ye see;
I ask not _all_ the laurel, but a _sprig_!
Then hear me, Guardians of the sacred Tree,
And stick a leaf or two about my wig.
In sonnet, ode, and legendary tale,
Soon will the press my tuneful works display;
Then do not damn ’em, and prevent the sale;
And your petitioner shall ever pray.
It must have been hateful to him to have found at last, in Gifford, the
scholar and critic who attacked him in the anti-Jacobin magazine in an
article entitled “Nil admirari, etc.,” a foeman whose satire was as
strong as his own. Gifford speaks of Peter Pindar as “this disgusting
subject, the prolific reviler of his Sovereign and impious blasphemer of
his God”; hard words for one to put up with, however clearly he may have
deserved them. Though his character is not exemplary, and cleverness
must not be allowed to atone for lack of moral sense, we do not wish to
paint him of too black a hue, if only for charity’s sake. Gifford’s
attack was strong and straight, and it may be doubted if Peter’s
reputation ever survived it. There was a common fight between these two
in which Peter came off worst. He deserved it, for he was the aggressor.
Discredited in the popular estimation, he lingered on for a while, and
though from 1811 to 1819 he was suffering from blindness and infirmity,
he dictated verses until within a few days of his death.
Commencing his London residence in 1781, soon after the publication of
his first book of lyric odes, he lived in many different houses, in
Southampton Row (1793); Tavistock Row (1794); Chapel Street, Portland
Place (1800); 8, Delany Place, Camden Town (1802); 94, Tottenham Court
Road (1807); and Latham Place, Somer’s Town, where he died on the 14th
January, 1819.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account