HERE VNDER THiS STONE LYETH BVRiED THE BODiE OF THE
VERTVOUS GENTELLWOMAN IANE BELL, WHO DEPTED THiS LYFE THE
. vi. DAYE OF IANVARIE 1593 BEiNGE THE DOWGHTER OF LAVERANCE
THORNELL OF DARLINGTON GENT & LATE WYFE TO PARSAVAL
BELL, NOWE MAiRE OF THIS TOWEN OF HARTiNPOOELL. MARCHANT
whos vertues if thou wilt beholde
peruse this tabel hanginge bye
which will the same to thee vnfold
by her good lyfe learne thou to die.
In Haughton-le-Skerne Church there is a curious figure on a brass,
representing a lady, who holds a baby on each arm. She was Dorothy, the
wife of Robert Perkinson of Whessey, and she died, with her twin sons,
in 1592.
At Houghton-le-Spring there is a brass to the memory of Margery, wife of
Richard Bellasis. It pictures the kneeling figure of a woman with her
eight sons and three daughters behind her. The Bellasis coat of arms is
on the brass: the date is 1587.
In Sedgefield Church there is a rudely engraved, early brass, probably
cut about the year 1300. It shows a small female figure, kneeling, and
it has a coat of arms on both sides of the figure. From the shape of
the two coats of arms, and from the conventional treatment of the
features of the face, which is more carefully executed than the rest of
the figure, it is believed that this is one of the oldest sepulchral
brasses now remaining in England.
The tombstone to Dean Rudde, which lies in the floor of the chancel of
Sedgefield Church, still carries its inscribed brass. The stone is a
very large one. The black-letter epitaph is so much worn by the tread of
the feet of many generations that it can only be read with some
uncertainty. It seems to run:
<f>Orate p aīa [=m]ri Jo[=h]is Rudde in decretis baccalarii quond[=m]
decani hui’ loci qui obiit xxix die decēbr’ Anno d[=n]i Mº CCCCº
lxxxx cui’ āīē ppiciet de’ amen.</f>
This John Rudde gave to the church of Esh the only medieval service-book
belonging to any church in the diocese of Durham which is now known to
exist. It is in the library of the Roman Catholic College of Ushaw, near
Durham.
Public-domain text, read in full here on John Shaqi.
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