The church, in addition to chantry foundations, contained valuable
relics, among which were portions of the bodies of the patron saints of
the church, St. Wulfran, Archbishop of Sens, missionary to Friesland, and
monk of Fontenelle,[75] and of St. Symphorian, the martyr of Autun. It
is highly probable that, as time went on, these relics were preserved in
the eastern crypt; the beautiful staircase, with its elaborate doorway,
by which this crypt in the fifteenth century was connected with the
chancel, had evidently some special purpose. But it is almost certain
that, on such days as the 15th of October, the feast of the translation
of St. Wulfran, when people flocked into the town for what is now known
as the Onion Fair, the relics would be exhibited to the devout visitors
from the chamber above the north porch, through the small traceried
window above the north door. This chamber was approached by staircases in
the outer pinnacles of the north porch. Its construction seems to have
been the _raison d’être_ of the rebuilding of which we have spoken; the
whole lower storey, the inner porch, the open way in the middle, left
to give room to church processions, the outer porch, were vaulted over,
and, to admit of this vaulting, the pediment of the north doorway was
ruthlessly mutilated. Those who have discovered in this upper chamber
the vicarage of North Grantham will find in it rather a chapel where the
relics belonging to the church were kept and exposed to the faithful, and
in the two staircases (an expensive provision for so small a vicarage) a
way of entrance and of exit for those who wished to visit the shrine and
seek contact with its treasure.[76] The floor and the vaulting beneath it
have now been removed, and the destruction which it caused to the north
doorway is only too clearly visible. The date of the chamber above the
south porch, in its present state, is rather uncertain; the little window
looking into the church, which points to its use as a watching-chamber,
is of the fifteenth century.
Public-domain text, read in full here on John Shaqi.
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