from exposure and neglect. The windows of the nave and transepts, of four bays, are of good design, as is the clerestory range over nave and transepts, of three lights, but the north and south transept end windows are very fine, and of almost identical pattern with those in King’s College Chapel, Cambridge, except that the latter have five bays, and Tattershall six, and at Tattershall, throughout all the windows, there is a complete absence of cusps. [Illustration: “PULPITUM” OF TATTERSHALL COLLEGIATE CHURCH, FROM THE EAST.] The small amount of painted glass that was left has been collected together in the east window of the choir, where can be recognised the Treasurer’s badge, and the shield of Tattershall, &c. A few remains exist of the stalls, which were dated 1424, in an inscription on them, and their stone quatrefoiled base (similar to that of the stalls in Lincoln Minster) is now placed in the nave. There are fine sedilia and a piscina in the south wall of the choir, and angels on the corbels of its roof, holding shields with instruments of the Passion on them. There are two interesting wooden pulpits, and a portion of a cornice of wood along the top of the wall in the nave above the south aisle windows. In the north transept are now carefully fixed the series of fine monumental brasses—one to Ralph, Lord Treasurer Cromwell (the founder of the church), and his wife; to William Moor, second Provost of the College; to Joan, Lady Cromwell; to Matilda, Lady Willoughby de Eresby; to another Provost of the College, possibly John Gyger; to William Symson, chaplain of Edward Hevyn, who was steward to the Countess of Richmond, and who founded a chantry in this transept, where is a piscina (as there is also in the south transept). A small brass to the memory of Hugh de Gondeby, 1411, is in the centre of the choir pavement. The fine and interesting choir screen and loft (pulpitum) is dealt with at length in another chapter by the writer. THE SEPULCHRAL BRASSES OF LINCOLNSHIRE BY THE REV. G.E. JEANS, M.A., F.S.A.