I propose in this paper to establish the point that Lincolnshire has
not hitherto been given sufficient credit among antiquaries in general
for its share in the great national treasure of monumental brasses.
Brasses are in themselves among the most beautiful and the most durable
of monumental records. They can reproduce details of armour and costume
with a delicacy which is scarcely possible in the most sumptuous stone
or marble monuments. The great majority are of such convenient size
that they can be rubbed on a single large sheet of paper; and, unlike
altar-tombs, can be studied all at once. And furthermore, for these and
other reasons, brasses have long attracted a special body of devotees
among antiquaries, some of whom will rub and record a brass with loving
zeal, while they will hardly look at the church which contains it, or
at any of its other records in tomb or window. Thus it may be that our
brasses have been better examined and figured than any other form of
monumental effigy.
Nevertheless, I may claim to have shown in my list of Lincolnshire
brasses, republished from _Lincolnshire Notes and Queries_, that a good
deal still remained unexplored in this and, therefore, probably in
other counties. Brass-lovers (no convenient single name has yet been
invented) have naturally turned to the counties where brasses are to be
found in almost every church, such as Norfolk, Suffolk, and Kent, or the
northern and eastern ring of London; and the best of these have been
splendidly illustrated in different forms by J.S. Cotman, the artist
(1819), Mr. E.M. Beloe, the Rev. E. Farrer, W.D. Belcher, and others.
None but casual single illustrations of the Lincolnshire brasses have
been published. But I should think that none of those who saw Mr. William
Scorer’s magnificent collection of rubbings of them, at the meeting of
the Archæological Institute at Lincoln in July 1909, could doubt the
claim of Lincolnshire to a much higher place than has been generally
granted hitherto among the counties of brasses. The great long series
in Boston Church, and the glorious, though fearfully maltreated, one in
Tattershall Church were seen on that occasion _in situ_, and there is
another great display in the county at All Saints’, Stamford, besides the
many instances of one noble brass, or sometimes two, as at Spilsby and
Gunby St. Peter’s. One of the most learned and accurate brass-lovers I
have ever met, the late Rev. C. G. R. Birch, told me that in his opinion
Lincolnshire, in the proportion of _valuable_ brasses to the whole number
remaining, stood perhaps first among the counties.
* * * * *
I will now place the brasses under different categories to show how well
Lincolnshire would come out in a County Championship in almost every
class.
Public-domain text, read in full here on John Shaqi.
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