All wooden screens (and probably all the stone ones also) were almost certainly coloured and gilt. The receding parts, or cavettos, of the mouldings are darkened with red or blue, the more prominent white, with often a small diaper. Round mouldings have spiral or wavy lines to show that the feature was circular. The most prominent parts were gilt, as were carved capitals. Gold, too, was often used as star or diaper on a blue or red ground. The mouldings are sometimes all blue and green, while the hollows are red foliage gilt on red ground, with all recessed parts red. A will leaving money to gilding the trelyse has already been given; Sir Richard Bozon, who died 25th March 1524, bequeathed 20s. towards the gilding of the rood-loft at _All Saints’, arrowby_. Thus, on _Lincoln Minster_ screen can still be seen traces of colour, and a little scarlet blue and gold on cavettos and on crockets on that at _Saltfleetby All Saints’_. At _South Somercotes_ the round mouldings are in spirals and black and gold, the spandrils of the panelling white or gold, alternate cavettos green and red, crockets gilt. In the portions of the screen at _Billinghay_ the Tudor roses in the spandrils are coloured red and blue. At _Addlethorpe_ the cavettos are red, finials and crockets gilt (in the north chantry chapel screen the cavettos are red and blue). At _Croft_ the border of the panels is spirally in blue and gold, and the square flowers along the top are gilt. At _Crowland_ the pillars of the uprights are spirally black and white, the ogees ending in finials gilt, and the cusping of the lower panels also gilt. In the beautiful screen at _Alford_ the cavettos are red, and the leaves in the spandril gilt.