The consideration of the dimensions of these towers on plan may be left
to the discussion of their relative dates, with which this chapter
will conclude. Having noted variations of plan, we must now look at
architectural details. Of those peculiarities of technique which are
most readily recognised as Saxon, St. Peter’s, at Barton-on-Humber, is
a nearly unique example in Lincolnshire, and its value is still higher,
in that the upper stage of the tower presents features of a rather
different kind, more typical of Lincolnshire, but less specially and
exclusively Saxon than those of the lower stages. The tower is divided
by two string-courses into three stages, the middle stage low and squat,
the lowest stage much the tallest of the three, and subdivided into
two parts, an upper and lower, by external decorative arcading. This
subdivided stage represents the body of the church; the middle stage
probably represents the original bell-chamber; and both these stages,
together with the small western annexe, have definite “long-and-short”
quoining. The “short” stones, as usual, back into the rubble-work, of
which the tower is built; but their protruding faces are cut away flush
with the rubble, and are hidden beneath the plaster which covers the
whole surface of the tower. The decorative arcading, however, already
alluded to, is formed by irregular strips of dressed stone projecting
from the surface, the heads of which, formed by small horizontal
impost-blocks, are connected in the lower stage by semicircular strips.
On the crown of each of these rude arches rests the foot of one of the
upright strips of the upper stage, which are connected similarly by
strips of triangular form, the apices of which touch the under side of
the string-course between the lower and the middle stage. The surface of
the lower stage is thus cut up into two series of tall arcaded panels.
The bottom part of one of the lower panels is pierced on the north and
south sides of the tower by a doorway with rounded head. The upright,
dividing two of the upper panels on each of these sides, is partly cut
away to make room for a double window-opening with rounded heads, the
opening being divided by a small piece of wall faced, at the level of
the outer wall, with a baluster-shaft. These windows lighted the body
of the church, the inner roof of which came at this point. The middle
stage keeps the “long-and-short” quoining, but the strip-work has here
given place to an unpanelled plastered surface, broken only by a double
window-opening, similar in construction to that in the stage below, but
with triangular instead of semicircular heads. Like the middle stage of
the tower, the western annexe of the church has no strip-work on its
walls, but has “long-and-short” work at its angles. It is lighted by a
semicircular-headed opening in each of the north and south walls, and
in the west wall by two circular openings set one above the other. All
Public-domain text, read in full here on John Shaqi.
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