in these august edifices of former ages, they still possess a power over the imagination, and insensible must that mind be which is not susceptible of appropriate religious influences,—subdued thoughts,—and, inspiring conceptions of divine majesty, when beholding the “long drawn aisle” and “high embower’d roof,” where all forms and differences of opinion, it has been justly remarked, become “trivial for awhile, amidst the sublimity of temples so well suited to the adoration of omnipotence.” The nave is separated from the side aisles by _four __semicircular arches_, _resting on elegant clustered columns_, with capitals decorated with foliage of different devices, from the rudest to the richest design. The mouldings of these arches have bolder projections, but are less massive than those of the early Norman, and more delicately finished, and although the mouldings on the shafts are peculiar to the earliest pointed style, they happily harmonize with the circular arches. At the eastern extremity of each side aisle, opening to the transepts, is a semi-circular arch, resting on thick round pillars, with a regular base and indented capital, ornamented with sculpture of the earliest Norman era; similar arches lead to the chantry chapels. These arches, from their general style, are evidently the oldest part of the fabric, and we may venture to ascribe them to a period not later than the Conquest. In removing the accumulations of colouring and plaister from the walls and arches of this part, in 1828, the _distinguishing marks_ of the _operative masons_ employed in working the stones were discovered, and still are to be seen, being the same as those now used. {44} The choir and transepts are divided by three most beautiful pointed arches, rising from piers similar to those described in the nave. The ceiling of the nave is of oak, the intersections of the beams being formed into panels richly decorated with ornamented quatrefoils and foliage, carved bosses, flowers, grotesque figures, &c. A beautiful cornice of vine branches, grapes interspersed with masks, are placed round the walls beneath the roof. The whole is in excellent preservation, and supposed to be one of the finest specimens of the ancient fretted ceiling in the kingdom. THE CHANCEL is elevated above the church by a double ascent, and the ceiling, like that of both the transepts, is excellently painted, but panelled in a style somewhat similar to that of the nave, and adorned with some of the rich fret work removed from the wreck of the churches of St. Chad and St. Alkmond. On the north side of the altar is a most beautiful triple lancet window, with arches remarkably acute, and resting on isolated columns, whose capitals are adorned with elegant foliage, &c. The window is filled with three figures in ancient stained glass.