So, when I went to my largest class in the big chapel, and saw one of
my most interesting girls sitting on that immense Bible on the pulpit
looking at me in merry defiance, and kicking her heels against the
woodwork below, I did not appear to see her, and began the exercises,
hoping fervently that one of the detectives who were always on watch
might providentially appear. Before long I saw one come to the door,
look in with an amazed expression, only to bring two of the faculty to
release the young lady from her uneasy pre-eminence.
I hardly knew my own name at the Packer Institute. The students called
me "Canary," I suppose on account of my yellow hair and rather high
treble voice; Mr. Crittenden always spoke to me as Miss "Sunburn," and
when my laundry was returned, it was addressed to "Miss Lampoon."
Beecher was to me the clerical miracle of his age--a man of
extraordinary personal magnetism, with power to rouse laughter and
right away compel tears, I used to listen often to his marvellous
sermons. I can see him now as he went up the middle aisle in winter
wearing a clumsy overcoat, his face giving the impression of heavy,
coarse features, thick lips, a commonplace nose, eyes that lacked
expression, nothing to give any idea of the man as he would look after
the long prayer. When the audience reverently bowed their heads my own
eyes were irresistibly drawn toward the preacher. For he prayed as if
he felt that he was addressing an all-powerful, omnipresent, tender,
loving Heavenly Father who was listening to his appeal. And as he went
on and on with increasing fervour and power a marvellous change
transfigured that heavy face, it shone with a white light and
spiritual feeling, as if he fully realized his communion with God
Himself. I used to think of that phrase in Matthew:
"And was transfigured before them,
And his face did shine as the sun."
I never heard anyone mention this marvellous transformation. But I
remember that Beecher once acknowledged to a reporter that he never
knew what he had said in his sermon until he looked at the resume in
Monday's paper.
During the hard days of Beecher's trial a lady who was a guest at the
house told me she was waked one morning by the merry laughter of
Beecher's little grandchildren and peeping into their room found Mr.
Beecher having a jolly frolic with them. He was trying to get them
dressed; his efforts were most comical, putting on their garments
wrong side out or buttoning in front when they were intended to fasten
in the back, and "funny Grandpa" enjoying it all quite as sincerely as
these little ones. A pretty picture.
Saxe (John Godfrey) called during one recess hour. The crowds of girls
passing back and forth interested him, as they seemed to care less for
eating than for wreathing their arms round each other, with a good
deal of kissing, and "deary," "perfectly lovely," etc. He described
his impressions in two words: "Unconscious rehearsing."
Public-domain text, read in full here on John Shaqi.
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