As to the façade, in these stirring days of the twentieth century it is splendid to think of it as the unsurpassed and unsurpassable triumph of democracy! For it was owing to the popular ownership of these buildings in France that the façade, or people’s end, became so wonderfully developed. For the same reason the French cathedrals stand in the streets of the town, always readily accessible to the people. Whereas the great English churches are shut away in closes, indicating the more aristocratic and exclusive rule of the clergy. Darby irreverently observed that the English clergy in the cathedrals seemed as snug as mice in a cheese! We saw many beautiful doorways in France, both in cathedrals and in smaller churches, but none can compare with those of Rheims. Their shape is of very great and peculiar beauty. These vast arched portals curve inward and downward almost like a cup. I had some talk with the workmen engaged in making the restorations. These are imperative, as without them the cathedrals would go to decay. Rheims is built of a beautiful yellowish-brown material, but the stone is too soft to wear well. The repairs were made in a spirit of reverence. The method we found surprising. In reconstructing a pinnacle they build it up into the form of a single block of stone, and then carve it as a sculptor carves a statue out of a block of marble. Late one August afternoon we stood before the lofty portals. I fancied the great figures near their base—the rows of saints—grew more lifelike in the twilight, as if preparing to step down from their niches. As evening fell the army of figures carved in stone seemed to give the cathedral a human look. They were almost alive in the twilight. What tales of the centuries were they prepared to tell us, these dumb witnesses of many a grand pageant and of the coronation of the kings of France for more than six hundred years! Did they feel a glow of national pride when the Maid of Orléans brought the recreant Charles VII hither to be crowned and achieved her greatest triumph under that vast roof? The summit of our pilgrimage of joy had now been reached; after this there was a gentle descent to glories still great, but lesser than the five supreme examples of Gothic art we had already seen. To be sure, the Abbey Church of St. Ouen at Rouen is thought the most beautiful thing of its kind in Europe. We should have been only too happy to enjoy it as it stood, without criticism, save for one sad fault. The western facade—the glory of our other cathedrals—is very disappointing, for it is modern, and looks so! Indeed, it seems cheap and commonplace. It was built by Viollet-le-Duc, who did not adhere to the original plans, _which still exist!_