Our mother always remembered his description of my sister Julia. In her
beautiful young womanhood she was often tormented with the “Howe
shyness” which seemed to form a slight but impalpable barrier between
her and the world, until she became so much interested in the
conversation as to forget herself. Mr. Longfellow said of her, “Julia is
like a veiled lily.”
A curious myth prevailed at one time about a daughter of the poet. The
artist who painted a portrait group of the three charming children
placed one of them in such a position as to conceal both her arms. This
picture was reproduced in an engraving which adorned the walls of many
houses. Hence the fable arose that one of Mr. Longfellow’s daughters had
no arms. Two ladies were lamenting this fact in a Cambridge horse-car
when a Harvard professor overheard them. Thinking they would be glad to
be set right, he addressed them: “Ladies, I know the Longfellow family
well, and I am happy to be able to tell you that all three of the little
girls have the usual number of arms.”
Rash is the man who thus seeks to overthrow a popular delusion! Drawing
herself up, one of the ladies replied, “Sir, we have it on the best
authority that one of Mr. Longfellow’s daughters HAS NO ARMS!”
The children’s parties given at Cambridge in the days of my childhood
were certainly very delightful occasions. The old régime, under which
distinguished men were chosen as professors at Harvard College, still
prevailed at that time. When President Eliot took office he is said to
have chosen men rather for their ability as instructors than for their
claims to literary or scientific distinction. Professor Child, well
known for his exhaustive collection of ballads, doubtless possessed both
kinds of merit, since he was retained on the Harvard faculty, as I
think, throughout his life. Generations of students remember him as the
stern but humorous critic whose caustic comments stayed the noble
current of their rage and withered many a youthful burst of eloquence
with the unfeeling remark “spread-eagle.”
Public-domain text, read in full here on John Shaqi.
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