Hawthorne, Nathaniel, 1804-1864 -- Family; Novelists, American -- 19th century -- Biography
Ellen Barstow came with an exquisite crimson rose, for me, which she
wished to present herself; and as I was lying down, she went away to
come again. So towards tea-time I saw her and Augusta running along.
Ellen discovered me at the window, and shouted and flew on. As they
were ascending the stairs I heard Ellen say, "Now hold your hand
behind you, Augusta!" They entered with hands concealed and gleaming
faces, and when they were within reach suddenly the concealed hands
were thrust towards my face, each adorned with a crimson rose. My
exclamation of delight seemed to fulfill their desires; and now I want
to know if it is not worth fifteen years of bodily pain and discomfort
to be the cause of such divine sentiment in the souls of so many
children as I am? I feel perfectly consecrated by it, and bound over
to be worthy of such pure emotions. Oh, _not_ mysterious Providence! How
even are thy golden scales--sweetest compensations poising exactly the
ills! It is not suffering which I think beautiful or desirable, but
what suffering brings along with it, and _causes_. My door was open,
and who should unexpectedly come out of Mary's room but Miss Elizabeth
Hawthorne, going to walk with Mary. I was very glad to see her, and
wanted her to come into my studio, but Mary was in haste to be
walking. Miss Hawthorne looked very interesting. They had a
delightful ramble, and she sent me a bunch of seaweed fastened to a
rock, which she stepped into the sea to get for me. It looks like a
drooping plume if it is held up, and I went into George's room to get
his admiration; but he persisted in declaring it hideous. I was
delighted by her thinking of sending it to me.
I happened to be up in the third story just as the children were going
home [Mary was teaching two or three little girls], and they went into
my studio with Mary. I was very much impressed with what I heard said
in tones of reverence. "_Look_ at that hammock! _Oh,_ that picture! And
there are the flowers! Oh, _I_ gave her those! Miss Peabody, is that a
_bed?_ _Oh,_ how beautifully everything looks! Is Sophia gone out?" I
cannot convey to you the intonations of affection and interest which
made these sentences so touching.
Public-domain text, read in full here on John Shaqi.
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