"Zuna" is spreading out her painted tea-set upon a little oval tray that came from beyond sea, in her father's childhood. She plays tea-drinking with infinite grace and skill. Last week Louisa Hawthorne and I spent the day with Mrs. Dike, and Una behaved like a consummate lady, although she frolicked like a child. Mrs. Dike gave her some beautiful silver playthings, with which she had a tea-party. Rebecca Manning [a little cousin] was there, and over their airy tea Una undertook to be agreeable, and began of her own accord to converse, and tell Rebecca about her life in Concord. She said, "In Tontord Zuna went out into the orchard and picked apples in her little basket, for papa and mamma to eat." And then, with a countenance and tone of triumph, she exclaimed, "And papa's boat!" A long letter written by George William Curtis is a bright ray from a beautiful personality, containing these descriptions:-- ROME, January 14, 1847. MY DEAR FRIENDS,--How often in the long sunny silence of that summer voyage, when in the Atlantic all day the sea rippled as gently about the ship as the waters of Walden pour against their shore, and in the Mediterranean the moon would have no other mirror, but entranced its waves to an oily calmness in which she shone unbroken, did I figure you gliding with us on our fairy way to France, Italy, and in the next summer, Switzerland! One day in our voyage we passed the Straits of Gibraltar--seeing land for the first time in twenty-eight days. We came so near and passed so rapidly, saw so distinctly the dusky gray olive foliage of Spain and the little round towers whence the old Spaniards looked for the Moors; and on the other side, so grim and lonely, the intricate mountain outline of Africa, so distinctly, and at night again, and for many days after, the same broad water; that it lies more dreamily in my memory than anything else. . . . On the forty-fifth day I stepped ashore in France; but not without more regret than I thought possible, for the ship; and one of the crew, of my own age, with whom I had seen the stars fade in the morning during his watch, had become very dear to me. Yet in Marseilles everything was quaint. . . . The same features I had always known in a city,--men, houses, streets, squares; but with an expression unknown before. At night, with my sailor friend, I threaded some of the narrower streets, which were like corridors in an unshapely Titan palace. At the doors of the smallest shops on each side sat the spinsters in the moonlight, gossiping and knitting; while over them bent old French tradesmen, in long yarn stockings and velvet knee-breeches. The street was barely wide enough for a carriage, and they talked across; and all was as gay and happy as Arcadia. Every day [in Florence], I was in the galleries, which are freely open to every one, and here saw the grandest works of Raphael in his middle and best style. Of the wonderful feminine grace and tenderness of these, of