Lulled by my words, and touched by my sisterliness, she wiped her eyes, and taking my hand, led me gently away. Soubise followed. I signed to Joussiau in an authoritative way to stay where he was. And we went up the two flights of stairs of the hotel, in silence. At the end of a narrow corridor she opened a door. We found ourselves in rather a large room, reeking with the smell of tobacco. A small night lamp, placed on a little table by the bed, was all the light in this large room. The wheezing respiration of a human breast disturbed the silence. I looked toward the bed, and by the faint light from the little lamp, I saw a man half seated, propped up by a heap of pillows. The man was aged-looking, rather than really old. His beard and hair were white and his face bore traces of suffering. Two large furrows were formed, from the eyes to the corners of the mouth. What tears must have rolled down that poor emaciated face! The girl went quietly toward the bed, signed to us to come inside the room, and then shut the door. We walked across on tiptoes to the far end of the room, our arms stretched out to maintain our equilibrium. I sat down with precaution on a large Empire couch, and Soubise took a seat beside me. The man in bed half opened his eyes. “What is it, my child?” he asked. “Nothing, father, nothing serious,” she replied. “I wanted to tell you, so that you should not be surprised when you woke up. I have just given hospitality in our room to two ladies who are here.” He turned his head in an annoyed way, and tried to look at us at the end of the room. “The lady with fair hair,” continued the girl, “is Sarah Bernhardt, whom Lucien liked so much, you remember?” The man sat up and, shading his eyes with his hand, peered at us. I went near to him. He gazed at me silently, and then made a gesture with his hand. His daughter understood the gesture and brought him an envelope from a small bureau. The unhappy father’s hands trembled as he took it. He drew three sheets of paper out, slowly, and a photograph. He fixed his gaze on me and then on the portrait. “Yes, yes, it certainly is you, it certainly is you,” he murmured. I recognized my photograph, taken in “Le Passant,” smelling a rose. “You see,” said the poor man, his eyes veiled by tears, “you were this child’s idol. These are the lines he wrote about you.” He then read me, in his quavering voice, with a slight Picardian accent, a very pretty sonnet. He then unfolded a second paper, on which some verses to Sarah Bernhardt were scrawled. The third paper was a sort of triumphant chant, celebrating all our victories over the enemy.