Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
I turned toward him rather surprised, but he took no notice. We
continued our way, riding as quickly as the obstacles in the forest
would allow us. All at once, our horses stopped short, snorting and
sniffing. O’Connor took his revolver in his hand, got off and led his
horse. A few yards from us there was a man lying on the ground. “That
must be my wretch of just now,” said my companion and, bending down over
the man, he spoke to him. A moan was the only reply. O’Connor had not
seen his man, so he could not have recognized him. He lighted a match,
and we saw that this one had no gun. I had dismounted and was trying to
raise the unfortunate man’s head, but I withdrew my hand covered with
blood. He had opened his eyes and fixed them on O’Connor.
[Illustration: SARAH BERNHARDT IN RIDING HABIT.]
“Ah, it’s you, Versailles dog!” he said. “It was you who shot me! I
missed you, but—” He tried to pull out the revolver from his belt, but
the effort was too great, and his hand fell down inert. O’Connor, on his
side, had cocked his revolver, but I placed myself in front of the man
and besought him to leave the poor fellow in peace. I could scarcely
recognize my friend, for this nice-looking, fair-haired man, so correct,
rather a snob, but very charming, seemed to have turned into a brute.
Leaning forward toward the unfortunate man, his under jaw advancing, he
was muttering under his teeth some inarticulate words; his clenched hand
seemed to be grasping his anger, just as one does an anonymous letter,
before flinging it away in disgust.
“O’Connor, let this man alone, please!” I said.
He was as gallant a man as he was a good soldier. He gave way and seemed
to become aware of the situation again. “Good!;” he said, helping me to
mount once more. “When I have taken you back to your hotel, I will come
back with some men to pick up this wretch.” Half an hour later we were
back home, without having exchanged another word during our ride.
I kept up my friendship with O’Connor, but I could never see him again
without thinking of that scene. Suddenly, when he was talking to me, the
brutelike mask, under which I had seen him for a second, would fix
itself again over his laughing face. Quite recently, in March, 1905,
General O’Connor, who was commanding in Algeria, came to see me one
evening in my dressing-room at the theater. He told me about his
difficulties with some of the great Arab chiefs.
“I fancy,” he said, laughing, “that we shall have to have a brush
together.”
The captain’s mask, for me, then fixed itself on the general’s face. I
never saw him again, for he died six months afterwards.
We were at last able to go back to Paris. The abominable and shameful
peace had been signed, the wretched Commune crushed. Everything was
supposed to be in order again. But what blood and ashes! what women in
mourning! what ruins!
Public-domain text, read in full here on John Shaqi.
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