Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
“Well, raise my salary, then,” I said. “I am offered twelve thousand
francs a year at the Comédie. Give me fifteen thousand here and I will
stay, for I do not want to leave.”
“Listen to me,” said the charming manager in a friendly way. “You know
that I am not free to act alone, but I will do my best, I promise you,”
and Duquesnel certainly kept his word. “Come here to-morrow before going
to the Comédie, and I will give you Chilly’s reply. But take my advice
and if he obstinately refuses to increase your salary, do not leave, we
shall find a way. And besides ... anyhow, I cannot say any more!”
I returned the following day according to arrangement. I found Duquesnel
and Chilly in the manager’s office. Chilly began at once somewhat
roughly: “And so you want to leave, Duquesnel tells me. Where are you
going? It is most stupid, for your place is here. Just consider and
think it over for yourself. At the Gymnase they only give modern pieces,
pieces for dressy plays. That is not your style. At the Vaudeville it is
the same. At the Gaieté you would spoil your voice. You are too
distinguished for the Ambigu.”
I looked at him without replying and he felt awkward and mumbled:
“Well, then, you are of my opinion?”
“No,” I answered, “you have forgotten the Comédie.”
He was sitting in his big armchair and he burst out laughing.
“Ah, no, my dear girl!” he said, “you must not tell me that! They’ve had
enough of your queer character at the Comédie. I dined the other night
with Maubant and when some one said that you ought to be engaged at the
Comédie Française he nearly choked with rage. I can assure you he did
not show much affection as far as you were concerned, the great
tragedian!”
“Oh, well, you ought to have taken my part!” I exclaimed, irritated.
“You know very well that I am very reliable.”
“But I did take your part,” he said, “and I added even that it would be
a very fortunate thing for the Comédie if it could have an _artiste_
with your will power, that perhaps might relieve the monotonous tone of
the house, and I only spoke as I thought, but the poor tragedian was
beside himself. He does not consider that you have any talent. In the
first place, he maintains that you do not know how to recite poetry. He
declares that you make all your A’s too broad. Finally, when he had no
arguments left, he declared that as long as he lives you will never
enter the Comédie Française.”
I was silent for a moment, weighing the pros and cons of the probable
result of my experiment. Finally coming to a decision, I murmured
somewhat waveringly: “Well, then, you will not give me a higher salary?”
“No, a thousand times no!” yelled Chilly. “You will try to make me sing
when your engagement comes to an end and then we will see. But I have
your signature until then. You have mine, too, and I hold to our
engagement. The Théâtre Français is the only one that would suit you
besides ours, and I am quite easy in my mind with regard to that
theater.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account