Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
“You make a mistake, perhaps,” I answered. He got up brusquely and came
and stood opposite me, his two hands in his pockets. He then said in an
odious and familiar tone: “Ah! that’s it, is it? You think I am an
idiot, then?”
I got up, too, and said coldly, pushing him gently back: “I think you
are a triple idiot.” I then hurried away toward the staircase, and all
Duquesnel’s shouting was in vain. I ran down the stairs two at a time.
On arriving under the Odéon Arcade I was stopped by Paul Maurice, who
was just going to invite Duquesnel and Chilly for Victor Hugo to a
supper to celebrate the hundredth presentation of “Ruy Blas.”
“I have just come away from your house,” he said. “I have left you a few
lines from Victor Hugo.”
“Good, good, that’s all right,” I replied, getting into my carriage. “I
shall see you to-morrow, then, my friend.”
“Good heavens, what a hurry you are in!” he said.
“Yes!” I replied; and then, leaning out of the window, I said to my
coachman: “Drive to the Comédie Française.”
I looked at Paul Maurice to wish him farewell. He was standing stupefied
on the arcade steps.
On arriving at the Comédie I sent my card to Perrin, and five minutes
later was ushered in to that icy manikin. There were two very distinct
personages in this man. The one was the man he was himself, and the
other the one he had created for the requirements of his profession.
Perrin himself was gallant, pleasant, witty, and slightly timid; the
manikin was cold and somewhat given to posing.
I was first received by Perrin, the manikin. He was standing up, his
head bent to bow to a woman, his arm outstretched to indicate the
hospitable armchair. He waited, with a certain affectation, until I was
seated, before sitting down himself. He then picked up a paper knife, in
order to have something to do with his hands, and in a rather weak
voice, the voice of the manikin, he remarked:
“Have you thought it over, mademoiselle?”
“Yes, monsieur, and here I am to give my signature.”
Before he had time to give me any encouragement to dabble with the
things on his desk, I drew up my chair, picked up a pen and prepared to
sign the paper. I did not take enough ink at first, and I stretched my
arm out across the whole width of the writing table and dipped my pen
this time resolutely to the bottom of the ink pot. I took too much ink,
however, this time, and on the return journey a huge drop of it fell on
the large sheet of white paper in front of the manikin. He bent his
head, for he was slightly shortsighted, and looked for a moment like a
bird when it discovers a hempseed in its grain. He then proceeded to put
aside the blotted sheet.
Public-domain text, read in full here on John Shaqi.
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