Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
I had scarcely spoken to Chilly since our last scene. On the night in
question he was placed at my right, and we had to get reconciled. I was
seated at the right of Victor Hugo, and at his left was Mme. Lambquin,
who was playing the _Camerara Mayor_. Duquesnel was next to Mme.
Lambquin. Opposite the illustrious poet was another poet, Théophile
Gautier, with his lion’s head on an elephant’s body. He had a brilliant
mind and said the choicest things with a horse laugh. The flesh of his
fat, flabby, wan face was pierced by two eyes veiled by heavy lids. The
expression of them was charming, but far away. There was in this man an
Oriental nobility choked by Western fashion and customs. I knew nearly
all his poetry, and I gazed at him with affection, the fond lover of the
Beautiful.
It amused me to imagine him dressed in superb Oriental costumes. I could
see him lying down on huge cushions, his beautiful hands playing with
gems of all colors, and some of his verses came in murmurs to my lips. I
was just setting off with him in a dream that was infinite, when a word
from my neighbor, Victor Hugo, made me turn toward him. What a
difference! He was just himself, the great poet, the most ordinary of
beings, except for his luminous forehead. He was heavy looking, although
very active. His nose was common, his eyes lewd, and his mouth without
any beauty; his voice alone had nobility and charm. I liked to listen to
him while looking at Théophile Gautier.
I was a little embarrassed, though, when I looked across the table, for
at the side of the poet was an odious individual, Paul de Ste. Victor.
His cheeks looked like two bladders from which the oil was oozing out.
His nose was sharp and like a crow’s beak, his eyes evil looking and
hard, his arms too short, and he was too stout. He had plenty of wit and
talent, but he employed both in saying and writing more harm than good.
I knew that this man hated me, and I promptly returned him hatred for
hatred.
In the toast proposed by Victor Hugo in thanking everyone for such
zealous help on the reappearance of his work, every person raised his
glass and looked toward the poet, but the illustrious master turned
toward me and continued: “As to you, madame——” Just at this moment Paul
de St. Victor put his glass down so violently on the table that it
broke. There was an instant of stupor, and then I leaned across the
table and held my glass out toward Paul de St. Victor.
“Take mine,” I said, “monsieur, and then when you drink you will know
what my thoughts are in reply to yours, which you have just expressed so
clearly!”
The horrid man took my glass, but with what a look!
Victor Hugo finished his speech in the midst of applause and cheers.
Duquesnel then leaned back and spoke to me quietly. He asked me to tell
Chilly to reply, that it was his turn to speak.
“Come, get up,” I said to him. He gazed at me with a glassy look and in
a far-away voice replied:
Public-domain text, read in full here on John Shaqi.
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