Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
CHAPTER V
I RECITE “THE TWO PIGEONS”
Plans for my career—The director of the _Conservatoire_—I study
for the examination—The rules of M. Meydieu—Learning
_Aricie_—The examination day—Dressing for the ordeal—I recite
a fable—The result—How I announced it—The family rejoices 61–74
CHAPTER VI
I DECLINE MATRIMONY AND WED ART
The awakening of a will—An offer of marriage—I am forced to
condemn a gentleman to death—I win a prize—I go for an
engagement—The embarrassment of having a naughty small
sister—I lose the engagement—I find encouragement in M.
Doucet—My lessons—Fencing and elocution—Tribulations with a
coiffeur—I enter a competition—The prize I did not win—My
rival—Legends that defy history—An humiliating homecoming—The
offer of another engagement—An interview at the Théâtre
Français and its happy outcome—My aunt has a celebration 75–97
CHAPTER VII
I MAKE MY DÉBUT AND EXIT
My first rôle—The first rehearsal—Troubles with the
costumer—The arraying of _Iphigénie_—The make-up shop—The
approach of the first night—I suffer the horrors of stage
fright—“_Quand-même_”—The début—New rôles—The disastrous
results of taking my sister to a ceremony—The arrogance of a
manager—I am cheated of a part and cancel my engagement 98–110
CHAPTER VIII
CASTLES IN SPAIN
Broken plans—I receive a new offer—I interview the manager of
the Gymnase—I make a new engagement—An idiotic rôle in an
imbecile play—I determine to kill myself—The allurement of
Spain distracts me—I follow my star—Sardou and my letter of
resignation—Marseilles and the sea—At Alicante—The night
intruder—Gala days at Madrid—Back to Paris—My mother’s
illness—I settle down by myself 111–123
CHAPTER IX
I RETURN TO THE STAGE
Fate drives me back to the theater—New fields at the Porte
Saint Martin—The disadvantages of being thin—New prospects—An
appointment and a contract—A death and another début—Success
at the Odéon—I appear as the chorus—Happy days—George
Sand—The disciples of Victor Hugo disapprove of Dumas’s
“Kean”—I succeed in spite of a hideous costume—François
Coppée and “Le Passant”—The triumph of “Le Passant”—Our
summons to the Tuileries—A rehearsal before imperial
spectators—Empress Eugénie’s feet—Fêted by an Emperor and a
Queen 124–145
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