Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
Three days after this new arrangement my manicure came into the room to
do my hands and my sister asked her to enter quietly because I was still
asleep. The woman turned her head, believing that I was asleep in the
armchair, but seeing me in my coffin she rushed away, shrieking wildly.
From that moment all Paris knew that I slept in my coffin, and gossip
with its thistledown wings took flight in all directions.
I was so accustomed to the turpitudes which were written about me that I
did not trouble about this. But at the death of my poor little sister a
tragic-comic incident happened: when the undertaker’s men came to the
room to take away the body they found themselves confronted with two
coffins, and losing his wits, the master of ceremonies sent in haste for
a second hearse. I was at that moment with my mother, who had lost
consciousness, and I got back just in time to prevent the black-clothed
men taking away my coffin. The second hearse was sent back, but the
papers got hold of this incident. I was blamed, criticised, etc.
After the death of my sister I fell seriously ill. I had tended her day
and night, and this, in addition to the grief I was suffering, made me
anæmic. I was ordered to the South for two months. I promised to go to
Mentone and I turned immediately toward Bretagne, the country of my
dreams. I had with me my little boy, my butler and his wife. My poor
Guérard, who had helped me to tend my sister, was in bed ill with
phlebitis. I would have much liked to have had her with me.
[Illustration: SARAH BERNHARDT IN HER COFFIN.]
Oh, the lovely holiday that we had there! Thirty-five years ago Bretagne
was wild, inhospitable, but as beautiful—perhaps more beautiful than at
present, for it was not furrowed with roads, its green slopes were not
dotted with small white villas, its inhabitants—the men—were not dressed
in the abominable modern trousers, nor the women in the miserable little
hat and feathers. No, the Bretons proudly displayed their well-shaped
legs in gaiters or rough stockings, their feet shod with buckled shoes,
their long hair was brought down on the temples, hiding any awkward
ears, and giving to the face a nobility which the modern style does not
admit of. The women, with their short skirts, which showed their slender
ankles in black stockings, and with their small heads under the wings of
the headdress, resembled seagulls. I am not speaking, of course, of the
inhabitants of Pont l’Abbé or of Bourg de Batz, who have entirely
different aspects.
Public-domain text, read in full here on John Shaqi.
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