Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist — John Shaqi
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
They had all given me money, my father, my mother, and my aunt. I had
altogether about forty or fifty francs, and I wanted to give all to Père
Larcher for buying seed. The Mother Superior smiled and sent for the
Mother Treasurer and Mother Ste. Appoline. I had to hand all my money
over to the former, with the exception of twenty sous which she left me,
saying: “When that is all gone, little girl, come and get some more from
me.”
Mère Ste. Appoline, who taught botany, then asked me what kind of
flowers I wanted. What kind of flowers! Why I wanted every sort that
grew. She at once proceeded to give me a botany lesson, by explaining
that all flowers did not grow at the same season. She then asked the
Mother Treasurer for some of my money, which she gave to Père Larcher,
telling him to buy me a spade, a rake, a hoe, and a watering-can, some
seeds and a few plants, the names of which she wrote down for him. I was
delighted, and I then went with Mother Ste. Sophie to the refectory to
have dinner. On entering the immense room I stood still for a second,
amazed and confused. More than a hundred girls were assembled there,
standing up for the benediction to be pronounced. When the Mother
Superior appeared, everyone bowed respectfully, and then all eyes were
turned on me. Mother Ste. Sophie took me to the seat which had been
chosen for me at the end of the room and then returned to the middle of
the refectory. She stood still, made the sign of the cross, and in an
audible voice pronounced the benediction. As she left the room, everyone
bowed again and I then found myself alone, quite alone in this cage of
little wild animals. I was seated between two little girls of from ten
to twelve years old, both as dusky as two young moles. They were twins
from Jamaica, and their names were Dolores and Pepa Cardanos. They had
been in the convent only two months and appeared to be as timid as I
was. The dinner was composed of soup, made of everything, and of veal
with haricot beans. I detested soup and I have always had a horror of
veal. I turned my plate over when the soup was handed round, but the nun
who waited on us turned it up again and poured the hot soup in,
regardless of scalding me.
“You must drink your soup,” whispered my right-hand neighbor, whose name
was Pepa.
“I don’t like that sort and I don’t want any,” I said aloud. The
inspectress was passing by just at that moment.
“You must drink your soup, mademoiselle,” she said.
“No, I don’t like that sort of soup,” I answered.
She smiled and said in a gentle voice:
“We must like everything. I shall be coming round again soon. Be a good
girl and take your soup.”
Public-domain text, read in full here on John Shaqi.
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