Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
Mounet-Sully talked to me of art and of probity. His whole speech
savored of Protestantism. There are several Protestant pastors in his
family and this influenced him unconsciously. Delaunay, surnamed Father
Candor, came solemnly to inform me of the bad impression my telegram had
made. He told me that the Comédie Française was a ministry; that there
was the minister, the secretary, the subchiefs and the employés, and
that each one must conform to the rules and bring in his share either of
talent or work, and so on and so on.... I saw Coquelin at the theater in
the evening. He came to me with outstretched hands.
“You know I can’t compliment you,” he said, “on your rash action, but
fortunately we shall make you change your mind. When one has the good
fortune and the honor of belonging to the Comédie Française one must
remain there until the end of one’s career.”
Frédéric Febvre pointed out to me that I ought to stay with the Comédie
because it would save money for me and I was quite incapable of doing
that myself.
“Believe me,” he said, “when we are with the Comédie we must not leave,
it means our bread provided for us later on.”
Got, our dean, then approached me.
“Do you know what you are doing in sending in your resignation?” he
asked.
“No,” I replied.
“Deserting.”
“You are mistaken,” I answered, “I am not deserting; I am changing
barracks.”
Others then came to me and they all gave me advice tinged by their own
personality, Mounet, as a seer or believer, Delaunay prompted by his
bureaucratic soul, Coquelin as a politician blaming another person’s
idea now, but extolling it later on and putting it into practice for his
own profit—Febvre, a lover of respectability—Got, as a selfish old
growler, understanding nothing but the orders of the powers that be and
advancement as ordained on hierarchical lines. Worms said to me in his
melancholy way:
“Will people be better elsewhere?”
Worms had the most dreamy soul and the most frank, straightforward
character of any member of our illustrious company. I liked him
immensely.
We were about to return to Paris and I wanted to forget all these things
for a time. I was in a hesitating mood. I postponed taking a definite
decision.
CHAPTER XXIII
I AGAIN LEAVE THE COMÉDIE FRANÇAISE
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