Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
The stir that had been made about me, the good that had been said in my
favor, and the bad things written against me, all this combined had
created in the artistic world an atmosphere of battle. When on the point
of leaving for Paris, some of my friends felt very anxious about the
reception which I should get there. The public is very much mistaken in
imagining that the agitation made about celebrated _artistes_ is in
reality instigated by the persons concerned and that they do it
purposely. Irritated at seeing the same name constantly appearing on
every occasion the public declares that the _artiste_ who is either
being slandered or pampered is an ardent lover of publicity. Alas! three
times over alas! We are victims of the said advertisement. Those who
know the joys and miseries of celebrity when they have passed the age of
forty know how to defend themselves. They are at the beginning of a
series of small worries, thunderbolts hidden under flowers, but they
know how to hold in check that monster advertisement. It is a sort of
octopus with innumerable tentacles. It throws out its clammy arms on the
right and on the left, in front and behind, and gathers in through its
thousand little inhaling organs, all the gossip and slander and praise
afloat to spit out again at the public when it is vomiting its black
gall. But those who are caught in the clutches of celebrity at the age
of twenty know nothing. I remember that the first time a reporter came
to me I drew myself up straight and was as red as a coxcomb with joy. I
was just seventeen years old—I had been acting in a private house and
had taken the part of _Richelieu_ with immense success. This gentleman
came to call on me at home and asked me first one question and then
another, and then another—I answered and chattered and was wild with
pride and excitement. He took notes and I kept looking at my mother. It
seemed to me that I was getting taller. I had to kiss my mother by way
of keeping my composure and I hid my face on her shoulder to hide my
delight. Finally, the gentleman rose, shook hands with me, and then took
his departure. I skipped about in the room and began to turn round
singing, “_Trois petits pâtés, ma chemise brûle_,” when suddenly the
door opened and the gentleman said to mamma, “Oh, madame, I forgot, this
is the receipt for the subscription to the journal! It is a mere
nothing, only sixteen francs a year.” Mamma did not understand at first.
As for me, I stood still with my mouth open, unable to digest my _petits
pâtés_. Mamma then paid the sixteen francs and in her pity for me, as I
was crying by that time, she stroked my hair gently. Since then I have
been delivered over to the monster, bound hand and foot, and I have been
and still am accused of adoring advertisement. And to think that my
first claims to celebrity were my extraordinary thinness and delicate
health. I had scarcely made my début when epigrams, puns, jokes, and
Public-domain text, read in full here on John Shaqi.
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