Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
A competition was opened for the fish costume. I went to an endless
amount of trouble, cutting out scales from cardboard that I had painted,
and sewing them together afterward. I made some enormous gills, which
were to be glued on to César. My costume was not chosen; it was passed
over for that of a stupid, big girl, whose name I cannot remember. She
had made a huge tail of kid and a mask with big eyes and gills, but
there were no scales, and we should have to see César’s shaggy coat. I
nevertheless turned my attention to Louise Buguet’s costume, and worked
at it with two of the lay Sisters, Sister Ste. Cécile and Sister Ste.
Jeanne, who had charge of the linen room.
At the rehearsals not a word could be extorted from the Angel Raphael.
She stood there stupefied, on the little platform, tears dimming her
beautiful eyes. She brought the whole play to a standstill, and kept
appealing to me in a weeping voice. I prompted her, and getting up,
rushed to her, kissed her, and whispered her whole speech to her. I was
beginning to be “in it” myself, at last.
Finally, two days before the great solemnity, there was a dress
rehearsal. The angel looked lovely, but immediately on entering, he sank
down on a bench sobbing out in an imploring voice:
“Oh, no, I shall never be able to do it, never!”
“Quite true, she never will be able to,” sighed Mother Ste. Sophie.
Forgetting for the moment my little friend’s grief, and wild with joy,
pride, and assurance, I ran up to the platform and bounded on to the
form on which the _Angel Raphael_ had sunk down weeping.
“Oh, Mother, I know her part, shall I take her place for the rehearsal?”
“Yes, yes,” exclaimed voices from all sides.
“Oh, yes, you know it so well,” said Louise Buguet, and she wanted to
put her band on my head.
“No, let me rehearse as I am, first,” I answered.
They began the second scene again and I came in carrying a long branch
of willow.
“Fear nothing, Toby,” I commenced. “I will be your guide. I will remove
from your path all thorns and stones.... You are overwhelmed with
fatigue. Lie down and rest, for I will watch over you.”
Thereupon _Toby_, worn out, lay down by the side of a strip of blue
muslin, about five yards of which, stretched out and winding about,
represented the Tiber.
Public-domain text, read in full here on John Shaqi.
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