Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
The Celebrated Portrait of Sarah Bernhardt, Painted by
Jules Bastien-Lepage 352
Mme. Sarah Bernhardt and Members of Her Company Out
Shooting 362
Bust of Victorien Sardou by Sarah Bernhardt 366
Sarah Bernhardt in Travelling Costume, 1880 378
Sarah Bernhardt at Home, by Walter Spindler 390
Sarah Bernhardt as _Doña Sol_ in “Hernani” 402
Corner in Sarah Bernhardt’s Paris Home, Showing Painting
by Chartran 410
Library in Madame Bernhardt’s House, Paris 420
Corner in Sarah Bernhardt’s Library, Showing Madame
Bernhardt’s Writing Table on the Left 426
Théâtre Sarah Bernhardt, Paris 436
_Foyer_ in Madame Bernhardt’s Theater, Paris 442
Sarah Bernhardt in “L’Aiglon”—Painting by G. Clairin 450
MEMORIES OF MY LIFE
CHAPTER I
MY AUNTS
My mother was fond of traveling: she would go from Spain to England,
from London to Paris, from Paris to Berlin, and from there to
Christiania; then she would come back, embrace me, and set out again for
Holland, her native country. She used to send my nurse clothing for
herself and cakes for me. To one of my aunts she would write: “Look
after little Sarah; I shall return in a month’s time.” A month later she
would write to another of her sisters: “Go and see the child at her
nurse’s; I shall be back in a couple of weeks.”
My mother’s age was nineteen; I was three years old, and my two aunts
were seventeen and twenty years of age; another aunt was fifteen, and
the eldest was twenty-eight, but the latter lived at Martinique, and was
the mother of six children. My grandmother was blind, my grandfather
dead, and my father had been in China for the last two years. I have no
idea why he had gone there.
My youthful aunts were always promising to come to see me, but rarely
kept their word. My nurse hailed from Brittany and lived near Quimperle
in a little white house with a low thatched roof, on which wild
gilly-flowers grew. That was the first flower which charmed my eyes as a
child, and I have loved it ever since. Its leaves are heavy and
sad-looking, and its petals are made of the setting sun.
Brittany is a long way off, even in our present epoch of velocity of
travel. In those days it was the end of the world. Fortunately, my nurse
was, it appears, a good, kind woman, and as her own child had died, she
had only me to love. But she loved after the manner of poor people—when
she had time.
Public-domain text, read in full here on John Shaqi.
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