Frank stayed with the corpse and sent a neighbor after the sheriff and
coroner. When they arrived they had to stay all night in the cabin and
when it came time to go to bed there were only two bunks. Frank gave one
to the sheriff and coroner. They asked him where he was going to sleep.
He said with his partner. He said, “I slept with him when he was alive—I
don’t see why I shouldn’t now.”
Frank was in jail for about a year and as Gold Butte was at that time an
Indian reservation, he had to be tried in the Federal Court which was at
Fort Keogh near Miles City.
He got free, too, from the fact nobody saw the killing but him.
When I worked for the RL outfit, we used to work along the Yellowstone
River. There was one place where there was quite a little settlement of
farmers. The place was known as Pease Bottom. We always camped a couple
of days right on the edge of the Bottom.
My memory of it is the whole female population of the Bottom was two
girls, a widow and a married lady.
Always the day before we made this camp the cowboys shined their spurs
and bridles and put on clean shirts (if they had one) as they knew all
the lady folks would be at the roundup and boy, what a show those forty
or fifty cowboys would put on for those four or five ladies. If a
cowboy’s horse didn’t buck, he would make him buck. If no cattle broke
out of the roundup, some fellow would cut one out and take it around and
around in front of the ladies. Of course, the ladies applauded us
all—and we didn’t know who was the favorite but, of course, each one
thought in his own mind he was the best.
Every year when we camped and worked the country close to Pease Bottom
it was understood by everybody that we would have a dance at night in
some one of the farmers’ houses, as the people in this little valley
really enjoyed those events just as much as we did.
Our cook played the banjo and a mouth harp, both of which he always
carried with him. He had a kind of a frame fixed around his head so he
could play them both at once. He only played two or three tunes, such as
“Turkey-in-the-Straw,” “Hell Among the Yearlings” (which was a cowboy
title) and maybe a waltz or two, but those pieces answered the purpose
for all dances.
Public-domain text, read in full here on John Shaqi.
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