The driver assumes a round-shouldered, blinking, vacuous attitude of masterly inactivity, while his horse takes a nap after his exertions. I descend from the hateful vehicle and wonder what I ought to do next. Between heat, exasperation, and incertitude, added to the fatigues of travel, I am in a parlous condition, one fume and fret of weariness and desperation. Presently from under the archway, interposing his bulk between me and the glancing sunlight, comes walking slowly a gentleman of stately mien, garbed in black frock-coat and tall silk hat. He wears the aspect of an Ambassador, and may be one for all I know or care. I fling myself into the orbit of his path, assembling together with beating heart the few fragmentary bits of German that remain with me after the varied emotions of the day. I murmur something inarticulate and wave my hand explanatorily in the direction of the supine droschky-driver, who, surrounded by my luggage, still continues to crouch in obvious somnolence on his box. The black-coated functionary may not be a diplomat--I subsequently find that he is a _Hoffourrier_, one of those pleasant minor court-officials who regulate royal journeys and the small financial housekeeping arrangements of royal households--but he has the art of seizing a situation at a glance. His eye wanders whimsically over the luggage, the slumberous droschky-driver and his horse. It strikes him, no doubt, as a humorous situation. So it would appear to me under different circumstances. He answers in polite but unintelligible German, wakens the driver, directs him to a door in a corner, and rings a bell; a rush of gaitered footmen follows; something kaleidoscopic and swift takes place; I find myself following a servant down a long, cool, bare passage decorated with old German prints--up a tiny winding staircase into a pleasant, shady room looking out over the red roofs of Homburg away towards great purple hills against a background of pale lemon-coloured sky. The quiet, calm beauty of the outlook as seen from this high-pitched gabled corner of the quaint old Schloss falls soothingly on my tired, travel-worn soul. I sink into a funny old-fashioned chair covered with a blue spotted chintz which has been out of fashion for at least a hundred and twenty years, and contemplate the fat, plethoric, square sofa and the rest of the furniture, which is delightfully old--so old that its ugliness has mellowed into something charming and alluring. There is a big mirror fixed over a marble-topped mahogany chest of drawers in which I catch a glimpse of my haggard face; there are various mahogany chairs covered with the before-mentioned blue-spotted print; there is a carpet of vivid moss-green. All is very plain and comfortable and old-world, and spotlessly clean and fresh. Flowers are on the writing-table which stands in the embrasure of the window.