Germany -- Court and courtiers; William II, German Emperor, 1859-1941
The _Hof-Prediger’s_ face wears a look of concentrated anxiety and
apprehension as he counts the first bar and plunges into the
accompaniment. The top E is safely passed--not perhaps quite exact as to
pitch, but not so very bad--the adjutants are booming their tenor and
bass with praiseworthy conscientiousness if little skill, and we settle
down to verses two and three with renewed confidence. The second high E
is on the down grade, and the third one almost painful, but as soon as
the last note has died away the Princess and Prince Joachim both
together begin feverishly to recite the _Weihnachts-Geschichte_, which
it is customary for every Prussian prince and princess to repeat yearly
from the age of six until Confirmation.
When they have got half-way through, “Stille Nacht” is sung, and then
they finish the Christmas story to the end, and a third carol is
performed; all hoping that it didn’t really sound as bad as it seemed to
do.
Sometimes His Majesty takes hold of a hymn-book and sings with the rest;
while, since their marriage, the Crown Prince and Princess are
accustomed to join in the music, and everyone feels that this attempted
harmony is “_sehr nett_” if not particularly brilliant.
Then all file in to dinner at the impossible hour of four o’clock. It is
given thus early so that the numerous guests may still be in time for
their own private festivities at home. All the Emperor’s old adjutants
and court officials are invited, and assemble in the big salons near the
Jasper Gallery, in which dinner is served at a series of small round or
oval tables. Monster carp are brought round boiled in ale, looking
plethoric and porpoise-like, and the meal winds up with English
plum-pudding and mince-pies served with flaming brandy sauce. The German
gentlemen are not at all fond of plum-pudding--they think it horrible
stuff; but they like the mince-pies, especially the brandy-sauce part.
As soon as dinner is finished, the Emperor gives a signal, the doors
into the _Muschel-Saal_ are thrown open, and all walk through into the
Christmas brilliancy. The whole row of lighted trees ranged the length
of the immense hall shed that clear yet soft subdued light of
multitudinous wax tapers which is more beautiful than any other.
Electricity has been installed in the _Muschel-Saal_ within the last few
years, and much of the old glamour of the scene has departed--the
candles burn palely, they have lost some of the old warmth and glow, the
green of the foliage has become faded.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account