Industrial arts -- Biography; Inventors -- Biography
"My father then took me into the school, of which he was master, and my
education may be said fairly to have begun. My progress, however, was
very slow partly owing to ill-health, but more, I must acknowledge, to
carelessness and inattention. In fact, during the first four years I
was at school, I learnt very little of anything, with the exception of
reciting verses, which I seemed to learn without any mental effort. My
memory became very retentive. I found that by attentively reading half
a page of print, or more, from any of the school-books, I could repeat
the whole of it without missing a word. I can scarcely explain how I
did it; but I think it was by paying strict attention to the words as
words, and forming a mental picture of the paragraphs as they were
grouped in the book. Certain, I am, that their sense never made much
impression on me, for, when questioned by the teacher, I was always
sent to the bottom of the class, though apparently I had learned my
exercise to perfection.
"When I was twelve years old, I made the acquaintance of a very
ingenious boy, who came to our school. Samuel Bridge was a born
mechanic. Though only a year older than myself, such was his ability
in the use of tools, that he could construct a model of any machine
that he saw. He awakened in me a love of mechanical construction, and
together we made models of colliery winding-frames, iron-rolling mills,
trip-hammers, and water-wheels. Some of them were not mere toys, but
constructed to scale, and were really good working models. This love
of mechanical construction has never left me, and I shall always
remember with affection Samuel Bridge, who first taught me to use the
hammer and file. The last I heard of him was in 1875, when he passed
his examination as a schoolmaster, in honours, and was at the head of
his list.
"During the next two years, when between twelve and fourteen, I made
comparatively slow progress at school. I remember having to write out
the fourth commandment from memory. The teacher counted twenty-three
mistakes in ten lines of my writing. It will be seen from this, that,
as regards learning, I continued heedless and backward. About this
time, my father, who was a good violinist, took me under his tuition.
He made me practice on the violin about an hour and a half a day. I
continued this for a long time. But the result was failure. I hated
the violin, and would never play unless compelled to do so. I suppose
the secret was that I had no 'ear.'
Public-domain text, read in full here on John Shaqi.
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