"I began to attend the School of Art at Darlington on the 6th of March, 1872. I found, on attempting to draw, that I had naturally a correct eye and hand; and I made such progress, that when the students' drawings were examined, previously to sending them up to South Kensington, all my work was approved. I was then set to draw from the cast in chalk, although I had only been at the school for a month. I tried for all the four subjects at the May examination, and was fortunate enough to pass three of them, and obtained as a prize Packett's 'Sciography.' I worked hard during the next year, and sent up seventeen works; for one of these, the 'Venus de Milo,' I gained a studentship. "I then commenced the study of human anatomy, and began water-colour painting, reading all the works upon art on which I could lay my hand. At the May examination of 1873, I completed my second-grade certificate, and at the end of the year of my studentship, I accepted the office of teacher in the School of Art. This art-training created in me a sort of disgust for photography, as I saw that the science of photography had really very little genuine art in it, and was more allied to a mechanical pursuit than to an artistic one. Now, when I look back on my past ideas, I clearly see that a great deal of this disgust was due to my ignorance and self-conceit. "In 1874, I commenced painting in tempora, and then in oil, copying the pictures lent to the school from the South Kensington Art Library. I worked also from still life, and began sketching from nature in oil and water-colours, sometimes selling my work to help me to buy materials for art-work and scientific experiments. I was, however, able to do very little in the following year, as I was at home suffering from sciatica. For nine months I could not stand erect, but had to hobble about with a stick. This illness caused me to give up my teachership.