Men of the Old Stone Age: Their Environment, Life and ArtOsborn, Henry Fairfield
History
Men of the Old Stone Age: Their Environment, Life and Art
Osborn, Henry Fairfield
Art, Primitive; Prehistoric peoples; Stone age
On the other hand, in favor of the theory of local or autochthonous
evolution of this culture is the direct succession described below of
Aurignacian prototypes and early Aurignacian implements above the older
Mousterian layers in the various stations of Dordogne. In fact, the
relation of the Aurignacian industry to the preceding Mousterian is one of
the most important in the history of Palæolithic archæology, because of
the change of race which occurred at this time. How far is it derivative
and autochthonous, how far is it new and influenced by invasion and the
handicraft of a new and superior race?
_Art._
Microlithique, microlith.
Burin, graver (first appearance).
_Industrial._
Coup de poing, hand-stone (rare and degenerate).
Pointe, point.
[AN]Chatelperron (curved).
double-pointed.
Racloir, scraper.
convex.
concave.
straight.
double-edged.
triple-edged.
Grattoir, planing tool.
Perçoir, drill, borer.
Couteau, knife, blade.
Enclume, anvil stone.
Percuteur, hammer-stone.
_War and Chase._
Pointe, point.
Pierre de jet, throwing stone.
Couteau, knife, blade.
Pointe de lance, bone lance-heads.
First, as for transition from the older culture, it is important to note
throughout that the 'Aurignacian retouch' is identical with the
Mousterian; this retouch is on one side of the flake only and gives it a
short, abrupt, and blunt edge. As we shall see, it is essentially
different from that discovered by the Solutrean flint workers and employed
in Solutrean times, a superior technique which produced a sharp, thin
edge, many of the implements being dressed on both sides. On the other
hand, Breuil concludes that the early Aurignacian industry can only in
part be derived from the late Mousterian and that it is partly due to the
invasion of a race which ranks much higher in the scale of intelligence
than the Neanderthal.
[Illustration: FIG. 149. Implements designed for engraving and sculpture.
Evolution of the angulate graving-tool or _burin_, from the early
Aurignacian of Chatelperron (left), to the late Solutrean of Placard
(right). After Breuil. About one-third actual size. These small
implements, chiefly made from elongated flakes and distinguished by a
sharp angulate edge at one end suitable for graving on bone or stone, are
especially characteristic of the Aurignacian stage of culture, in which
they first appear. 1, 2. Chatelperron points. 6. Prototype of the
Magdalenian 'parrot-beak.' Some of these _burins_, such as 7, are made
into _grattoirs_ or planing tools at the other end.]
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