“Oh!” here cried Miss Crump, as if in exceeding pain (and whether Mr. Eglantine had twitched, pulled, or hurt any one individual hair of that lovely head I don't know)--“Oh, you are killing me, Mr. Eglantine!” And with this mamma, who was in her attitude, holding up the end of her boa as a visionary tambourine, and Mr. Walker, who was looking at her, and in his amusement at the mother's performances had almost forgotten the charms of the daughter--both turned round at once, and looked at her with many expressions of sympathy, while Eglantine, in a voice of reproach, said, “KILLED you, Morgiana! I kill YOU?” “I'm better now,” said the young lady, with a smile--“I'm better, Mr. Archibald, now.” And if the truth must be told, no greater coquette than Miss Morgiana existed in all Mayfair--no, not among the most fashionable mistresses of the fashionable valets who frequented the “Bootjack.” She believed herself to be the most fascinating creature that the world ever produced; she never saw a stranger but she tried these fascinations upon him; and her charms of manner and person were of that showy sort which is most popular in this world, where people are wont to admire most that which gives them the least trouble to see; and so you will find a tulip of a woman to be in fashion when a little humble violet or daisy of creation is passed over without remark. Morgiana was a tulip among women, and the tulip fanciers all came flocking round her. Well, the said “Oh” and “I'm better now, Mr. Archibald,” thereby succeeded in drawing everybody's attention to her lovely self. By the latter words Mr. Eglantine was specially inflamed; he glanced at Mr. Walker, and said, “Capting! didn't I tell you she was a CREECHER? See her hair, sir: it's as black and as glossy as satting. It weighs fifteen pound, that hair, sir; and I wouldn't let my apprentice--that blundering Mossrose, for instance (hang him!)--I wouldn't let anyone but myself dress that hair for five hundred guineas! Ah, Miss Morgiana, remember that you MAY ALWAYS have Eglantine to dress your hair!--remember that, that's all.” And with this the worthy gentleman began rubbing delicately a little of the Eglantinia into those ambrosial locks, which he loved with all the love of a man and an artist. And as for Morgiana showing her hair, I hope none of my readers will entertain a bad opinion of the poor girl for doing so. Her locks were her pride; she acted at the private theatre “hair parts,” where she could appear on purpose to show them in a dishevelled state; and that her modesty was real, and not affected may be proved by the fact that when Mr. Walker, stepping up in the midst of Eglantine's last speech, took hold of a lock of her hair very gently with his hand, she cried “Oh!” and started with all her might. And Mr. Eglantine observed very gravely, “Capting! Miss Crump's hair is to be seen and not to be touched, if you please.”