Great Britain -- Social life and customs -- 19th century -- Fiction
She was a perfectly good-natured and simple soul, never made him a
single reproach; but when he could pass an evening at home with her
she was delighted, and when he could drive with her in the Park she was
happy for a week after. On these occasions, and in the fulness of her
heart, she would drive to her mother and tell her story. “Howard drove
with me in the Park yesterday, Mamma;” and “Howard has promised to
take me to the Opera,” and so forth. And that evening the manager, Mr.
Gawler, the first tragedian, Mrs. Serle and her forty pupils, all the
box-keepers, bonnet-women--nay, the ginger-beer girls themselves at “The
Wells,” knew that Captain and Mrs. Walker were at Kensington Gardens,
or were to have the Marchioness of Billingsgate's box at the Opera. One
night--O joy of joys!--Mrs. Captain Walker appeared in a private box
at “The Wells.” That's she with the black ringlets and Cashmere shawl,
smelling-bottle, and black-velvet gown, and bird of paradise in her hat.
Goodness gracious! how they all acted at her, Gawler and all, and how
happy Mrs. Crump was! She kissed her daughter between all the acts, she
nodded to all her friends on the stage, in the slips, or in the
real water; she introduced her daughter, Mrs. Captain Walker, to the
box-opener; and Melvil Delamere (the first comic), Canterfield (the
tyrant), and Jonesini (the celebrated Fontarabian Statuesque), were all
on the steps, and shouted for Mrs. Captain Walker's carriage, and waved
their hats, and bowed as the little pony-phaeton drove away. Walker, in
his moustaches, had come in at the end of the play, and was not a little
gratified by the compliments paid to himself and lady.
Among the other articles of luxury with which the Captain furnished
his house we must not omit to mention an extremely grand piano, which
occupied four-fifths of Mrs. Walker's little back drawing-room, and at
which she was in the habit of practising continually. All day and all
night during Walker's absences (and these occurred all night and all
day), you might hear--the whole street might hear--the voice of the lady
at No. 23, gurgling, and shaking, and quavering, as ladies do when they
practise. The street did not approve of the continuance of the noise;
but neighbours are difficult to please, and what would Morgiana have had
to do if she had ceased to sing? It would be hard to lock a blackbird in
a cage and prevent him from singing too. And so Walker's blackbird, in
the snug little cage in the Edgware Road, sang and was not unhappy.
Public-domain text, read in full here on John Shaqi.
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