Great Britain -- Social life and customs -- 19th century -- Fiction
Little Baroski is the author of the opera of “Eliogabalo,” of the
oratorio of “Purgatorio,” which made such an immense sensation, of songs
and ballet-musics innumerable. He is a German by birth, and shows such
an outrageous partiality for pork and sausages, and attends at church so
constantly, that I am sure there cannot be any foundation in the story
that he is a member of the ancient religion. He is a fat little man,
with a hooked nose and jetty whiskers, and coal-black shining eyes, and
plenty of rings and jewels on his fingers and about his person, and a
very considerable portion of his shirtsleeves turned over his coat to
take the air. His great hands (which can sprawl over half a piano, and
produce those effects on the instrument for which he is celebrated) are
encased in lemon-coloured kids, new, or cleaned daily. Parenthetically,
let us ask why so many men, with coarse red wrists and big hands,
persist in the white kid glove and wristband system? Baroski's gloves
alone must cost him a little fortune; only he says with a leer, when
asked the question, “Get along vid you; don't you know dere is a
gloveress that lets me have dem very sheap?” He rides in the Park; has
splendid lodgings in Dover Street; and is a member of the “Regent Club,”
where he is a great source of amusement to the members, to whom he tells
astonishing stories of his successes with the ladies, and for whom he
has always play and opera tickets in store. His eye glistens and his
little heart beats when a lord speaks to him; and he has been known to
spend large sums of money in giving treats to young sprigs of fashion at
Richmond and elsewhere. “In my bolyticks,” he says, “I am consarevatiff
to de bag-bone.” In fine, he is a puppy, and withal a man of
considerable genius in his profession.
This gentleman, then, undertook to complete the musical education
of Mrs. Walker. He expressed himself at once “enshanted vid her
gababilities,” found that the extent of her voice was “brodigious,” and
guaranteed that she should become a first-rate singer. The pupil was
apt, the master was exceedingly skilful; and, accordingly, Mrs. Walker's
progress was very remarkable: although, for her part, honest Mrs. Crump,
who used to attend her daughter's lessons, would grumble not a little at
the new system, and the endless exercises which she, Morgiana, was made
to go through. It was very different in HER time, she said. Incledon
knew no music, and who could sing so well now? Give her a good English
ballad: it was a thousand times sweeter than your “Figaros” and
“Semiramides.”
Public-domain text, read in full here on John Shaqi.
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