Adams, Nick (Fictitious character) -- Fiction; American fiction -- 20th century; Short stories, American
Manuel stepped out on the hard sand as the bull banged into the fence.
Out of the corner of his eye he saw Zurito sitting the white horse close
to the barrera, about a quarter of the way around the ring to the left.
Manuel held the cape close in front of him, a fold in each hand, and
shouted at the bull. “Huh! Huh!” The bull turned, seemed to brace
against the fence as he charged in a scramble, driving into the cape as
Manuel side-stepped, pivoted on his heels with the charge of the bull,
and swung the cape just ahead of the horns. At the end of the swing he
was facing the bull again and held the cape in the same position close
in front of his body, and pivoted again as the bull recharged. Each
time, as he swung, the crowd shouted.
Four times he swung with the bull, lifting the cape so it billowed full,
and each time bringing the bull around to charge again. Then, at the end
of the fifth swing, he held the cape against his hip and pivoted, so the
cape swung out like a ballet dancer’s skirt and wound the bull around
himself like a belt, to step clear, leaving the bull facing Zurito on
the white horse, come up and planted firm, the horse facing the bull,
its ears forward, its lips nervous, Zurito, his hat over his eyes,
leaning forward, the long pole sticking out before and behind in a sharp
angle under his right arm, held half-way down, the triangular iron point
facing the bull.
_El Heraldo’s_ second-string critic, drawing on his cigarette, his eyes
on the bull, wrote: “the veteran Manolo designed a series of acceptable
veronicas, ending in a very Belmontistic recorte that earned applause
from the regulars, and we entered the tercio of the cavalry.”
Zurito sat his horse, measuring the distance between the bull and the
end of the pic. As he looked, the bull gathered himself together and
charged, his eyes on the horse’s chest. As he lowered his head to hook,
Zurito sunk the point of the pic in the swelling hump of muscle above
the bull’s shoulder, leaned all his weight on the shaft, and with his
left hand pulled the white horse into the air, front hoofs pawing, and
swung him to the right as he pushed the bull under and through so the
horns passed safely under the horse’s belly and the horse came down,
quivering, the bull’s tail brushing his chest as he charged the cape
Hernandez offered him.
Public-domain text, read in full here on John Shaqi.
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