Adams, Nick (Fictitious character) -- Fiction; American fiction -- 20th century; Short stories, American
“Whose novillos?” Manuel asked.
“I don’t know. Whatever stuff they’ve got in the corrals. What the
veterinaries won’t pass in the daytime.”
“I don’t like to substitute,” Manuel said.
“You can take it or leave it,” Retana said. He leaned forward over the
papers. He was no longer interested. The appeal that Manuel had made to
him for a moment when he thought of the old days was gone. He would like
to get him to substitute for Larita because he could get him cheaply. He
could get others cheaply too. He would like to help him though. Still he
had given him the chance. It was up to him.
“How much do I get?” Manuel asked. He was still playing with the idea of
refusing. But he knew he could not refuse.
“Two hundred and fifty pesetas,” Retana said. He had thought of five
hundred, but when he opened his mouth it said two hundred and fifty.
“You pay Villalta seven thousand,” Manuel said.
“You’re not Villalta,” Retana said.
“I know it,” Manuel said.
“He draws it, Manolo,” Retana said in explanation.
“Sure,” said Manuel. He stood up. “Give me three hundred, Retana.”
“All right,” Retana agreed. He reached in the drawer for a paper.
“Can I have fifty now?” Manuel asked.
“Sure,” said Retana. He took a fifty peseta note out of his pocket-book
and laid it, spread out flat, on the table.
Manuel picked it up and put it in his pocket.
“What about a cuadrilla?” he asked.
“There’s the boys that always work for me nights,” Retana said. “They’re
all right.”
“How about picadors?” Manuel asked.
“They’re not much,” Retana admitted.
“I’ve got to have one good pic,” Manuel said.
“Get him then,” Retana said. “Go and get him.”
“Not out of this,” Manuel said. “I’m not paying for any cuadrilla out of
sixty duros.”
Retana said nothing but looked at Manuel across the big desk.
“You know I’ve got to have one good pic,” Manuel said.
Retana said nothing but looked at Manuel from a long way off.
“It isn’t right,” Manuel said.
Retana was still considering him, leaning back in his chair, considering
him from a long way away.
“There’re the regular pics,” he offered.
“I know,” Manuel said. “I know your regular pics.”
Retana did not smile. Manuel knew it was over.
“All I want is an even break,” Manuel said reasoningly. “When I go out
there I want to be able to call my shots on the bull. It only takes one
good picador.”
He was talking to a man who was no longer listening.
“If you want something extra,” Retana said, “go and get it. There will
be a regular cuadrilla out there. Bring as many of your own pics as you
want. The charlotada is over by 10.30.”
“All right,” Manuel said. “If that’s the way you feel about it.”
“That’s the way,” Retana said.
“I’ll see you to-morrow night,” Manuel said.
“I’ll be out there,” Retana said.
Manuel picked up his suitcase and went out.
“Shut the door,” Retana called.
Manuel looked back. Retana was sitting forward looking at some papers.
Manuel pulled the door tight until it clicked.
Public-domain text, read in full here on John Shaqi.
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