Adams, Nick (Fictitious character) -- Fiction; American fiction -- 20th century; Short stories, American
Around the major’s eyes were two white circles where his snow-glasses
had protected his face from the sun on the snow. The rest of his face
had been burned and then tanned and then burned through the tan. His
nose was swollen and there were edges of loose skin where blisters had
been. While he worked at the papers he put the fingers of his left hand
into a saucer of oil and then spread the oil over his face, touching it
very gently with the tips of his fingers. He was very careful to drain
his fingers on the edge of the saucer so there was only a film of oil on
them, and after he had stroked his forehead and his cheeks, he stroked
his nose very delicately between his fingers. When he had finished he
stood up, took the saucer of oil and went into the small room of the hut
where he slept. “I’m going to take a little sleep,” he said to the
adjutant. In that army an adjutant is not a commissioned officer. “You
will finish up.”
“Yes, signor maggiore,” the adjutant answered. He leaned back in his
chair and yawned. He took a paper-covered book out of the pocket of his
coat and opened it; then laid it down on the table and lit his pipe. He
leaned forward on the table to read and puffed at his pipe. Then he
closed the book and put it back in his pocket. He had too much
paper-work to get through. He could not enjoy reading until it was done.
Outside, the sun went behind a mountain and there was no more light on
the wall of the hut. A soldier came in and put some pine branches,
chopped into irregular lengths, into the stove. “Be soft, Pinin,” the
adjutant said to him. “The major is sleeping.”
Pinin was the major’s orderly. He was a dark-faced boy, and he fixed the
stove, putting the pine wood in carefully, shut the door, and went into
the back of the hut again. The adjutant went on with his papers.
“Tonani,” the major called.
“Signor maggiore?”
“Send Pinin in to me.”
“Pinin!” the adjutant called. Pinin came into the room. “The major wants
you,” the adjutant said.
Pinin walked across the main room of the hut toward the major’s door. He
knocked on the half-opened door. “Signor maggiore?”
“Come in,” the adjutant heard the major say, “and shut the door.”
Inside the room the major lay on his bunk. Pinin stood beside the bunk.
The major lay with his head on the rucksack that he had stuffed with
spare clothing to make a pillow. His long, burned, oiled face looked at
Pinin. His hands lay on the blankets.
“You are nineteen?” he asked.
“Yes, signor maggiore.”
“You have ever been in love?”
“How do you mean, signor maggiore?”
“In love—with a girl?”
“I have been with girls.”
“I did not ask that. I asked if you had been in love—with a girl.”
“Yes, signor maggiore.”
“You are in love with this girl now? You don’t write her. I read all
your letters.”
“I am in love with her,” Pinin said, “but I do not write her.”
“You are sure of this?”
“I am sure.”
“Tonani,” the major said in the same tone of voice, “can you hear me
talking?”
Public-domain text, read in full here on John Shaqi.
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