Adams, Nick (Fictitious character) -- Fiction; American fiction -- 20th century; Short stories, American
“Come on up to the house and we’ll eat,” Zurito said.
* * * * *
Manuel stood in the patio de caballos waiting for the Charlie Chaplins
to be over. Zurito stood beside him. Where they stood it was dark. The
high door that led into the bull-ring was shut. Above them they heard a
shout, then another shout of laughter. Then there was silence. Manuel
liked the smell of the stables about the patio de caballos. It smelt
good in the dark. There was another roar from the arena and then
applause, prolonged applause, going on and on.
“You ever seen these fellows?” Zurito asked, big and looming beside
Manuel in the dark.
“No,” Manuel said.
“They’re pretty funny.” Zurito said. He smiled to himself in the dark.
The high, double, tight-fitting door into the bull-ring swung open and
Manuel saw the ring in the hard light of the arc-lights, the plaza, dark
all the way around, rising high; around the edge of the ring were
running and bowing two men dressed like tramps, followed by a third in
the uniform of a hotel bell-boy who stooped and picked up the hats and
canes thrown down onto the sand and tossed them back up into the
darkness.
The electric light went on in the patio.
“I’ll climb onto one of those ponies while you collect the kids,” Zurito
said.
Behind them came the jingle of the mules, coming out to go into the
arena and be hitched onto the dead bull.
The members of the cuadrilla, who had been watching the burlesque from
the runway between the barrera and the seats, came walking back and
stood in a group talking, under the electric light in the patio. A
good-looking lad in a silver-and-orange suit came up to Manuel and
smiled.
“I’m Hernandez,” he said and put out his hand.
Manuel shook it.
“They’re regular elephants we’ve got to-night,” the boy said cheerfully.
“They’re big ones with horns,” Manuel agreed.
“You drew the worst lot,” the boy said.
“That’s all right,” Manuel said. “The bigger they are, the more meat for
the poor.”
“Where did you get that one?” Hernandez grinned.
“That’s an old one,” Manuel said. “You line up your cuadrilla, so I can
see what I’ve got.”
“You’ve got some good kids,” Hernandez said. He was very cheerful. He
had been on twice before in nocturnals and was beginning to get a
following in Madrid. He was happy the fight would start in a few
minutes.
“Where are the pics?” Manuel asked.
“They’re back in the corrals fighting about who gets the beautiful
horses,” Hernandez grinned.
The mules came through the gate in a rush, the whips snapping, bells
jangling and the young bull ploughing a furrow of sand.
They formed up for the paseo as soon as the bull had gone through.
Manuel and Hernandez stood in front. The youths of the cuadrillas were
behind, their heavy capes furled over their arms. In back, the four
picadors, mounted, holding their steel-tipped push-poles erect in the
half-dark of the corral.
Public-domain text, read in full here on John Shaqi.
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