Short stories; United States -- Social life and customs -- 19th century -- Fiction
The other hesitated for a time, gazing sideways. Finally he nodded in
the direction of the street, "I sleep up there," he said, "when I've
got the price."
"How much?"
"Ten cents."
The young man shook his head dolefully. "That's too rich for me."
At that moment there approached the two a reeling man in strange
garments. His head was a fuddle of bushy hair and whiskers, from which
his eyes peered with a guilty slant. In a close scrutiny it was
possible to distinguish the cruel lines of a mouth which looked as if
its lips had just closed with satisfaction over some tender and piteous
morsel. He appeared like an assassin steeped in crimes performed
awkwardly.
But at this time his voice was tuned to the coaxing key of an
affectionate puppy. He looked at the men with wheedling eyes, and began
to sing a little melody for charity.
"Say, gents, can't yeh give a poor feller a couple of cents t' git a
bed? I got five, and I gits anudder two I gits me a bed. Now, on th'
square, gents, can't yeh jest gimme two cents t' git a bed? Now, yeh
know how a respecter'ble gentlem'n feels when he's down on his luck,
an' I--"
The seedy man, staring with imperturbable countenance at a train which
clattered overhead, interrupted in an expressionless voice--"Ah, go t'
h----!"
But the youth spoke to the prayerful assassin in tones of astonishment
and inquiry. "Say, you must be crazy! Why don't yeh strike somebody
that looks as if they had money?"
The assassin, tottering about on his uncertain legs, and at intervals
brushing imaginary obstacles from before his nose, entered into a long
explanation of the psychology of the situation. It was so profound that
it was unintelligible.
When he had exhausted the subject, the young man said to him:
"Let's see th' five cents."
The assassin wore an expression of drunken woe at this sentence, filled
with suspicion of him. With a deeply pained air he began to fumble in
his clothing, his red hands trembling. Presently he announced in a
voice of bitter grief, as if he had been betrayed--"There's on'y four."
"Four," said the young man thoughtfully. "Well, look here, I'm a
stranger here, an' if ye'll steer me to your cheap joint I'll find the
other three."
The assassin's countenance became instantly radiant with joy. His
whiskers quivered with the wealth of his alleged emotions. He seized
the young man's hand in a transport of delight and friendliness.
"B' Gawd," he cried, "if ye'll do that, b' Gawd, I'd say yeh was a
damned good fellow, I would, an' I'd remember yeh all m' life, I would,
b' Gawd, an' if I ever got a chance I'd return the compliment"--he
spoke with drunken dignity--"b' Gawd, I'd treat yeh white, I would, an'
I'd allus remember yeh."
The young man drew back, looking at the assassin coldly. "Oh, that's
all right," he said. "You show me th' joint--that's all you've got t'
do."
Public-domain text, read in full here on John Shaqi.
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