Therefore, to consider the ethics of autobiography is to condemn
yourself to the academy. ‘Rousseau’s Confessions’ ought never to have
been written; but written they were, and read they will ever be. But
as a pastime moralizing has a rare charm. We cannot always be reading
immoral masterpieces. A time comes when inaction is pleasant, and when
it is soothing to hear mild accents murmuring ‘Thou shalt not.’ For a
moment, then, let the point remain under consideration.
The ethics of autobiography are, in my judgment, admirably summed up
by George Eliot, in a passage in ‘Theophrastus Such,’ a book which, we
were once assured, well-nigh destroyed the reputation of its author,
but which would certainly have established that of most living writers
upon a surer foundation than they at present occupy. George Eliot says:
‘In all autobiography there is, nay, ought to be, an incompleteness
which may have the effect of falsity. We are each of us bound to
reticence by the piety we owe to those who have been nearest to us,
and have had a mingled influence over our lives--by the fellow-feeling
which should restrain us from turning our volunteered and picked
confessions into an act of accusation against others who have no chance
of vindicating themselves, and, most of all, by that reverence for
the higher efforts of our common nature which commands us to bury
its lowest faculties, its invincible remnants of the brute, its most
agonizing struggle with temptation, in unbroken silence.’
All this is surely sound morality and good manners, but it is not the
morality or the manners of Mlle. Marie Bashkirtseff, who was always
ready to barter everything for something she called Fame.
‘If I don’t win fame,’ says she over and over again, ‘I will kill
myself.’
Miss Blind is, no doubt, correct in her assertion that, as a painter,
Mlle. Bashkirtseff’s strong point was expression. Certainly, she had a
great gift that way with her pen. Amidst a mass of greedy utterances,
esurient longings, commonplace ejaculations, and unlovely revelations,
passages occur in this journal which bid us hold. For all her
boastings, her sincerity is not always obvious, but it speaks plainly
through each one of the following words:
Public-domain text, read in full here on John Shaqi.
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