This noble craft has revived in our midst. Twenty years ago, in ordinary circles, the book-binder was a miscreant who, by the aid of a sharp knife, a hideous assortment of calf-skins and of marbled papers, bound your books for you by slaughtering their margins, stripping their sides, and returning them upon your hands cropped and in prison garb, and so lettered as to tell no man what they were. And the worst of it was we received them with complacency, gave them harbourage upon our shelves, and only grumbled that the price was so high as four shillings a volume. Those days are over. Yet it is well to be occasionally reminded of the rock from whence we were hewn, and the pit out of which we were digged. I have now lying before me a first edition of the essays of Elia which, being in boards, I allowed to be treated by a provincial called Shimmin, in the sixties. I remember its coming home, and how I thought it was all right. Infancy was no excuse for such ignorance. The second-hand booksellers, a race of men for whom I have the greatest respect, are to blame in this matter. They did not play the part they might have been expected to do. They gave no prominence in their catalogues, which are the true text-books of literature, to specimens of book-binding, nor did they instil into the minds of their young customers the rudiments of taste. Worse than this, some of the second-hand booksellers in the country were themselves binders, and, for the most part, infamous ones. One did, indeed, sometimes hear of Roger Payne and of the Harleian style, but dimly, and as a thing of no moment, nor were our eyes ever regaled in booksellers’ catalogues with facsimiles of the exquisite bindings of the French and English masters. Nor was it until we went further afield, and became acquainted with the booksellers of Paris, that this new world swam into our ken. It was a great day when a stray copy of a ‘Bulletin Mensuel’ of Damascene Morgand, the famous bookseller in the Passage des Panoramas, fell into the hands of a mere country book-buyer. Then he knew how brutally he had been deceived--then he looked with loathing on his truncated tomes and their abominable devices. The first really bound book I ever saw was a copy of the works of Pierre de Ronsard bearing the devices of Marguerite de Valois. The price was so far beyond my resources that I left the shop without a touch of envy, but the scales had fallen from my eyes, and I walked down the Passage des Panoramas as one who had awakened from a dream.